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Thomas De Quincey
Thomas De Quincey (1785-1859) was an English essayist best known for his autobiographical work, "Confessions of an English Opium-Eater," which explores his experiences with opium addiction and its impact on his life and work. A key figure in the Romantic movement, De Quincey's writings combine rich, lyrical prose with keen psychological insight. His contributions to literature also include critical essays and works on philosophy and political economy, influencing both his contemporaries and later writers.
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Many of the papers in my collected works were originally written under one set of disadvantages, and are now revised under another. They were written generally under great pressure as to time, in order to catch the critical periods of monthly journals; written oftentimes at a distance from the press (so as to have no opportunity for correction); and always written at a distance from libraries, so that...
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CHAPTER I. The winter of 1633 had set in with unusual severity throughout Suabia and Bavaria, though as yet scarcely advanced beyond the first week of November. It was, in fact, at the point when our tale commences, the eighth of that month, or, in our modern computation, the eighteenth; long after which date it had been customary of late years, under any ordinary state of the weather, to extend the...
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VISIT TO LAXTON. My route, after parting from Lord Westport at Birmingham, lay, as I have mentioned in the "Autobiographic Sketches," through Stamford to Laxton, the Northamptonshire seat of Lord Carbery. From Stamford, which I had reached by some intolerable old coach, such as in those days too commonly abused the patience and long-suffering of Young England, I took a post-chaise to Laxton....
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PREFACE. 'The last fruit off an old tree!' This, in the words of Walter Savage Landor, is what I have now the honour to set before the public in these hitherto 'Uncollected Writings of Thomas De Quincey.' It was my privilege to be associated intimately with the Author some thirty to forty years ago—from the beginning of 1850 until his death in 1859. Throughout the whole period...
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The following novel was originally produced in the German language, as a soi disant translation from Sir Walter Scott, to meet the demands of the last Easter fair at Leipsic. In Germany, from the extreme difficulties and slowness of communication between remote parts of the country, it would be altogether impossible to effect the publication of books, upon the vast scale of the current German...
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THE ENGLISH IN CHINA. This Paper, originally written for me in 1857, and published in Titan for July of that year, has not appeared in any collective edition of the author's works, British or American. It was his closing contribution to a series of three articles concerning Chinese affairs; prepared when our troubles with that Empire seemed to render war imminent. The first two were given in Titan...
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MY DEAR SIR: I am on the point of revising and considerably altering, for republication in England, an edition of such amongst my writings as it may seem proper deliberately to avow. Not that I have any intention, or consciously any reason, expressly to disown any one thing that I have ever published; but some things have sufficiently accomplished their purpose when they have met the call of that...
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INTRODUCTION I. LIFE Thomas de Quincey was born in Manchester on the 15th of August, 1785. His father was a man of high character and great taste for literature as well as a successful man of business; he died, most unfortunately, when Thomas was quite young. Very soon after our author's birth the family removed to The Farm, and later to Greenhay, a larger country place near Manchester. In 1796 De...
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A SEQUEL TO 'MURDER CONSIDERED AS ONE OF THE FINE ARTS.' [1] [1854.] It is impossible to conciliate readers of so saturnine and gloomy a class, that they cannot enter with genial sympathy into any gaiety whatever, but, least of all, when the gaiety trespasses a little into the province of the extravagant. In such a case, not to sympathize is not to understand; and the playfulness, which is...
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ON THE KNOCKING AT THE GATE, IN MACBETH. From my boyish days I had always felt a great perplexity on one point in Macbeth. It was this: the knocking at the gate, which succeeds to the murder of Duncan, produced to my feelings an effect for which I never could account. The effect was, that it reflected back upon the murder a peculiar awfulness and a depth of solemnity; yet, however obstinately I...
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