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Thomas Bailey Aldrich
Thomas Bailey Aldrich (1836-1907) was an American poet, novelist, and editor known for his vivid storytelling and meticulous style. He gained widespread recognition for his semi-autobiographical novel "The Story of a Bad Boy" (1870), which is considered a precursor to the "boy's book" genre in American literature. Aldrich also served as the editor of the prestigious Atlantic Monthly from 1881 to 1890, during which he helped shape American literary tastes.
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At five o'clock on the morning of the tenth of July, 1860, the front door of a certain house on Anchor Street, in the ancient seaport town of Rivermouth, might have been observed to open with great caution. This door, as the least imaginative reader may easily conjecture, did not open itself. It was opened by Miss Margaret Callaghan, who immediately closed it softly behind her, paused for a few...
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When I saw the little house building, an eighth of a mile beyond my own, on the Old Bay Road, I wondered who were to be the tenants. The modest structure was set well back from the road, among the trees, as if the inmates were to care nothing whatever for a view of the stylish equipages which sweep by during the summer season. For my part, I like to see the passing, in town or country; but each has his...
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I. THE OLD TAVERN AT BAYLEY'S FOUR CORNERS. You will not find Greenton, or Bayley's Four-Corners, as it is more usually designated, on any map of New England that I know of. It is not a town; it is not even a village; it is merely an absurd hotel. The almost indescribable place called Greenton is at the intersection of four roads, in the heart of New Hampshire, twenty miles from the nearest...
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Near the Levée, and not far from the old French Cathedral in the Place d'Armes, at New Orleans, stands a fine date-palm, thirty feet in height, spreading its broad leaves in the alien air as hardily as if its sinuous roots were sucking strength from their native earth. Sir Charles Lyell, in his Second Visit to the United States, mentions this exotic: "The tree is seventy or eighty years old;...
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Of course that was not his name. Even in the State of Maine, where it is still a custom to maim a child for life by christening him Arioch or Shadrach or Ephraim, nobody would dream of calling a boy "Quite So." It was merely a nickname which we gave him in camp; but it stuck to him with such bur-like tenacity, and is so inseparable from my memory of him, that I do not think I could write...
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We are accustomed to speak with a certain light irony of the tendency which women have to gossip, as if the sin itself, if it is a sin, were of the gentler sex, and could by no chance be a masculine peccadillo. So far as my observation goes, men are as much given to small talk as women, and it is undeniable that we have produced the highest type of gossiper extant. Where will you find, in or out of...
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One morning as I was passing through Boston Common, which lies between my home and my office, I met a gentleman lounging along The Mall. I am generally preoccupied when walking, and often thread my way through crowded streets without distinctly observing any one. But this man's face forced itself upon me, and a singular face it was. His eyes were faded, and his hair, which he wore long, was...
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It was close upon eleven o'clock when I stepped out of the rear vestibule of the Boston Theatre, and, passing through the narrow court that leads to West Street, struck across the Common diagonally. Indeed, as I set foot on the Tremont Street mall, I heard the Old South drowsily sounding the hour. It was a tranquil June night, with no moon, but clusters of sensitive stars that seemed to shiver...
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THE SISTERS' TRAGEDY A. D. 1670 AGLAE, a widow MURIEL, her unmarried sister. IT happened once, in that brave land that lies For half the twelvemonth wrapt in sombre skies, Two sisters loved one man. He being dead, Grief loosed the lips of her he had not wed, And all the passion that through heavy years Had masked in smiles unmasked itself in tears. No purer love may...
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NOTE The motif of the story embodied in the following poem was crudely outlined in a brief sketch printed in an early collection of the authors verse, and subsequently cancelled for a purpose not until now accomplished. Wyndham Towers is not to be confused with this discarded sketch, the text of which has furnished only a phrase, or an indirect suggestion, here and there. That the writer's method,...
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