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Rafael Sabatini
Rafael Sabatini (1875-1950) was an Italian-English author renowned for his historical and adventure novels. Among his most famous works are "Scaramouche" (1921) and "Captain Blood" (1922), both of which have been adapted into successful films. Sabatini's storytelling is celebrated for its vibrant characters, intricate plots, and rich historical settings, making him a popular figure in early 20th-century literature.
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Rafael Sabatini
CHAPTER I. THE WAGER "Speak of the Devil," whispered La Fosse in my ear, and, moved by the words and by the significance of his glance, I turned in my chair. 1The door had opened, and under the lintel stood the thick-set figure of the Comte de Chatellerault. Before him a lacquey in my escutcheoned livery of red-and-gold was receiving, with back obsequiously bent, his hat and cloak. A sudden...
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Rafael Sabatini
CHAPTER I. THE MESSENGER Peter Blood, bachelor of medicine and several other things besides, smoked a pipe and tended the geraniums boxed on the sill of his window above Water Lane in the town of Bridgewater. Sternly disapproving eyes considered him from a window opposite, but went disregarded. Mr. Blood's attention was divided between his task and the stream of humanity in the narrow street...
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Rafael Sabatini
CHAPTER I. VOX POPULI From the valley, borne aloft on the wings of the evening breeze, rose faintly the tolling of an Angelus bell, and in a goat-herd's hut on the heights above stood six men with heads uncovered and bowed, obeying its summons to evening prayer. A brass lamp, equipped with three beaks, swung from the grimy ceiling, and, with more smoke than flame, shed an indifferent light, and...
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Rafael Sabatini
CHAPTER I. POT-VALIANCE Then drink it thus, cried the rash young fool, and splashed the contents of his cup full into the face of Mr. Wilding even as that gentleman, on his feet, was proposing to drink to the eyes of the young fool's sister. The moments that followed were full of interest. A stillness, a brooding, expectant stillness, fell upon the company—and it numbered a round dozen—about...
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Rafael Sabatini
CHAPTER I. THE SENESCHAL OF DAUPHINY My Lord of Tressan, His Majesty's Seneschal of Dauphiny, sat at his ease, his purple doublet all undone, to yield greater freedom to his vast bulk, a yellow silken undergarment visible through the gap, as is visible the flesh of some fruit that, swollen with over-ripeness, has burst its skin. His wig—imposed upon him by necessity, not fashion lay on the table...
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Rafael Sabatini
CHAPTER I. THE REPUBLICAN He was born with a gift of laughter and a sense that the world was mad. And that was all his patrimony. His very paternity was obscure, although the village of Gavrillac had long since dispelled the cloud of mystery that hung about it. Those simple Brittany folk were not so simple as to be deceived by a pretended relationship which did not even possess the virtue of...
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Rafael Sabatini
PREFACE In approaching "The Historical Nights' Entertainment" I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events. I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events...
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Rafael Sabatini
Preface The kindly reception accorded to the first volume of the Historical Nights Entertainment, issued in December of 1917, has encouraged me to prepare the second series here assembled. As in the case of the narratives that made up the first volume, I set out again with the same ambitious aim of adhering scrupulously in every instance to actual, recorded facts; and once again I find it desirable at...
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Rafael Sabatini
PREFACE This is no Chronicle of Saints. Nor yet is it a History of Devils. It is a record of certain very human, strenuous men in a very human, strenuous age; a lustful, flamboyant age; an age red with blood and pale with passion at white-heat; an age of steel and velvet, of vivid colour, dazzling light and impenetrable shadow; an age of swift movement, pitiless violence and high endeavour, of sharp...
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Rafael Sabatini
CHAPTER I. THE FANATIC Mr. Caryll, lately from Rome, stood by the window, looking out over the rainswept, steaming quays to Notre Dame on the island yonder. Overhead rolled and crackled the artillery of an April thunderstorm, and Mr. Caryll, looking out upon Paris in her shroud of rain, under her pall of thundercloud, felt himself at harmony with Nature. Over his heart, too, the gloom of storm was...
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