Marshall Mather

I. There was a sepulchral tone in the voice, and well there might be, for it was a voice from the grave. Floating on the damp autumnal air, and echoing round the forest of tombs, it died away over the moors, on the edge of which the old God's-acre stood. Though far from melodious, it was distinct enough to convey to the ear the words of a well-known hymn—a hymn sung in jerky fragments, the... more...