Categories
- Antiques & Collectibles 13
- Architecture 36
- Art 48
- Bibles 22
- Biography & Autobiography 813
- Body, Mind & Spirit 137
- Business & Economics 28
- Computers 4
- Cooking 94
- Crafts & Hobbies 4
- Drama 346
- Education 45
- Family & Relationships 57
- Fiction 11812
- Games 19
- Gardening 17
- Health & Fitness 34
- History 1377
- House & Home 1
- Humor 147
- Juvenile Fiction 1873
- Juvenile Nonfiction 202
- Language Arts & Disciplines 88
- Law 16
- Literary Collections 686
- Literary Criticism 179
- Mathematics 13
- Medical 41
- Music 40
- Nature 179
- Non-Classifiable 1768
- Performing Arts 7
- Periodicals 1453
- Philosophy 63
- Photography 2
- Poetry 896
- Political Science 203
- Psychology 42
- Reference 154
- Religion 498
- Science 126
- Self-Help 79
- Social Science 80
- Sports & Recreation 34
- Study Aids 3
- Technology & Engineering 59
- Transportation 23
- Travel 463
- True Crime 29
Maria Edgeworth
Maria Edgeworth (1768–1849) was an Anglo-Irish novelist known for her pioneering work in children's literature and her keen social and political commentaries. Her notable works include "Castle Rackrent" (1800), a satirical novel often regarded as the first historical novel, and "Belinda" (1801), which challenged contemporary views on women's roles. Edgeworth's writing significantly influenced the development of the novel in the 19th century and provided critical insights into Irish society and British colonialism.
Author's Books:
Sort by:
by:
Maria Edgeworth
INTRODUCTIONIThe story of the Edgeworth Family, if it were properly told, should be as long as the ARABIAN NIGHTS themselves; the thousand and one cheerful intelligent members of the circle, the amusing friends and relations, the charming surroundings, the cheerful hospitable home, all go to make up an almost unique history of a county family of great parts and no little character. The Edgeworths were...
more...
by:
Maria Edgeworth
INTRODUCTION Maria Edgeworth came of a lively family which had settled in Ireland in the latter part of the sixteenth century. Her father at the age of five-and-twenty inherited the family estates at Edgeworthstown in 1769. He had snatched an early marriage, which did not prove happy. He had a little son, whom he was educating upon the principles set forth in Rousseau’s “Emile,” and a...
more...
by:
Maria Edgeworth
PREFACE. We shall not imitate the invidious example of some authors, who think it necessary to destroy the edifices of others, in order to clear the way for their own. We have no peculiar system to support, and, consequently, we have no temptation to attack the theories of others; and we have chosen the title of Practical Education, to point out that we rely entirely upon practice and experience. To...
more...
by:
Maria Edgeworth
ON GRAMMAR, AND CLASSICAL LITERATURE. As long as gentlemen feel a deficiency in their own education, when they have not a competent knowledge of the learned languages, so long must a parent be anxious, that his son should not be exposed to the mortification of appearing inferiour to others of his own rank. It is in vain to urge, that language is only the key to science; that the names of things are not...
more...
by:
Maria Edgeworth
PREFACE. It has been somewhere said by Johnson, that merely to invent a story is no small effort of the human understanding. How much more difficult is it to construct stories suited to the early years of youth, and, at the same time, conformable to the complicate relations of modern society—fictions, that shall display examples of virtue, without initiating the young reader into the ways of...
more...
by:
Maria Edgeworth
CHAPTER I. Some years ago, a lad of the name of William Jervas, or, as he was called from his lameness, Lame Jervas, whose business it was to tend the horses in one of the Cornwall tin-mines, was missing. He was left one night in a little hut, at one end of the mine, where he always slept; but in the morning, he could no where be found; and this his sudden disappearance gave rise to a number of strange...
more...
by:
Maria Edgeworth
CHAPTER I. CHARACTERS. Mrs. Stanhope, a well-bred woman, accomplished in that branch of knowledge which is called the art of rising in the world, had, with but a small fortune, contrived to live in the highest company. She prided herself upon having established half a dozen nieces most happily, that is to say, upon having married them to men of fortunes far superior to their own. One niece still...
more...
by:
Maria Edgeworth
PREFACE The prevailing taste of the public for anecdote has been censured and ridiculed by critics who aspire to the character of superior wisdom; but if we consider it in a proper point of view, this taste is an incontestable proof of the good sense and profoundly philosophic temper of the present times. Of the numbers who study, or at least who read history, how few derive any advantage from their...
more...
by:
Maria Edgeworth
CHAPTER I. "And gave her words, where oily Flatt'ry lays The pleasing colours of the art of praise."—PARNELL. NOTE FROM MRS. BEAUMONT TO MISS WALSINGHAM. "I am more grieved than I can express, my dearest Miss Walsingham, by a cruel contre-temps, which must prevent my indulging myself in the long-promised and long-expected pleasure of being at your fête de famille on...
more...
by:
Maria Edgeworth
CHAPTER I. "Are you to be at Lady Clonbrony's gala next week?" said Lady Langdale to Mrs. Dareville, whilst they were waiting for their carriages in the crush-room of the opera-house. "Oh, yes! every body's to be there, I hear," replied Mrs. Dareville."Your ladyship, of course?" "Why, I don't know; if I possibly can. Lady Clonbrony makes it such a point with...
more...