CHAPTER 1 He was an inch, perhaps two, under six feet, powerfully built, and he advanced straight at you with a slight stoop of the shoulders, head forward, and a fixed from-under stare which made you think of a charging bull. His voice was deep, loud, and his manner displayed a kind of dogged self-assertion which had nothing aggressive in it. It seemed a necessity, and it was directed apparently as... more...

AUTHOR'S NOTE "Nostromo" is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the "Typhoon" volume of short stories. I don't mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life. And perhaps there was never any change, except in that... more...

I. “I have not read this author’s books, and if I have read them I have forgotten what they were about.” These words are reported as having been uttered in our midst not a hundred years ago, publicly, from the seat of justice, by a civic magistrate.  The words of our municipal rulers have a solemnity and importance far above the words of other mortals, because our municipal rulers more than any... more...

ALMAYER'S FOLLY I am informed that in criticizing that literature which preys on strange people and prowls in far-off countries, under the shade of palms, in the unsheltered glare of sunbeaten beaches, amongst honest cannibals and the more sophisticated pioneers of our glorious virtues, a lady—distinguished in the world of letters—summed up her disapproval of it by saying that the tales it... more...

ONE DAY MORE SCENE I. CURTAIN RISES DISCLOSING CARVIL and Bessie moving away from sea-wall. Bessie about twenty-five. Black dress; black straw hat. A lot of mahogany-coloured hair loosely done up. Pale face. Full figure. Very quiet. Carvil, blind, unwieldy. Reddish whiskers; slow, deep voice produced without effort. Immovable, big face. Carvil (Hanging heavily on Bessie's arm). Careful! Go slow!... more...

CHAPTER ONE To yesterday and to to-day I say my polite "vaya usted con Dios." What are these days to me? But that far-off day of my romance, when from between the blue and white bales in Don Ramon's darkened storeroom, at Kingston, I saw the door open before the figure of an old man with the tired, long, white face, that day I am not likely to forget. I remember the chilly smell of the... more...

Chapter I. Books may be written in all sorts of places. Verbal inspiration may enter the berth of a mariner on board a ship frozen fast in a river in the middle of a town; and since saints are supposed to look benignantly on humble believers, I indulge in the pleasant fancy that the shade of old Flaubert—who imagined himself to be (amongst other things) a descendant of Vikings—might have hovered... more...

THE WARRIOR'S SOUL(1917) The old officer with long white moustaches gave rein to his indignation. "Is it possible that you youngsters should have no more sense than that! Some of you had better wipe the milk off your upper lip before you start to pass judgment on the few poor stragglers of a generation which has done and suffered not a little in its time." His hearers having expressed much... more...

KARAIN, A MEMORYIWe knew him in those unprotected days when we were content to hold in our hands our lives and our property. None of us, I believe, has any property now, and I hear that many, negligently, have lost their lives; but I am sure that the few who survive are not yet so dim-eyed as to miss in the befogged respectability of their newspapers the intelligence of various native risings in the... more...

FIRST NOTE The pages which follow have been extracted from a pile of manuscript which was apparently meant for the eye of one woman only.  She seems to have been the writer’s childhood’s friend.  They had parted as children, or very little more than children.  Years passed.  Then something recalled to the woman the companion of her young days and she wrote to him:... more...