The most extraordinary dream I ever had was one in which I fancied that, as I was going into a theater, the cloak-room attendant stopped me in the lobby and insisted on my leaving my legs behind me. I was not surprised; indeed, my acquaintanceship with theater harpies would prevent my feeling any surprise at such a demand, even in my waking moments; but I was, I must honestly confess, considerably... more...

CLOCKS. There are two kinds of clocks. There is the clock that is always wrong, and that knows it is wrong, and glories in it; and there is the clock that is always right—except when you rely upon it, and then it is more wrong than you would think a clock could be in a civilized country. I remember a clock of this latter type, that we had in the house when I was a boy, routing us all up at three... more...

“Come in!” said Peter Hope. Peter Hope was tall and thin, clean-shaven but for a pair of side whiskers close-cropped and terminating just below the ear, with hair of the kind referred to by sympathetic barbers as “getting a little thin on the top, sir,” but arranged with economy, that everywhere is poverty’s true helpmate.  About Mr. Peter Hope’s linen, which was white though somewhat... more...

THE HERO. His name is George, generally speaking. "Call me George!" he says to the heroine. She calls him George (in a very low voice, because she is so young and timid). Then he is happy. The stage hero never has any work to do. He is always hanging about and getting into trouble. His chief aim in life is to be accused of crimes he has never committed, and if he can muddle things up with a... more...

The neighbourhood of Bloomsbury Square towards four o'clock of a November afternoon is not so crowded as to secure to the stranger, of appearance anything out of the common, immunity from observation. Tibb's boy, screaming at the top of his voice that she was his honey, stopped suddenly, stepped backwards on to the toes of a voluble young lady wheeling a perambulator, and remained deaf,... more...