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James Oliver Curwood
James Oliver Curwood (1878-1927) was an American author and conservationist known for his adventure novels set in the wilderness, particularly the Canadian North. His works, such as "The Grizzly King" and "The River's End," often reflect his deep love for nature and his experiences as an outdoorsman. Curwood's writing significantly contributed to early 20th-century popular literature and inspired conservation efforts, including the establishment of the Curwood Castle Museum in Michigan.
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CHAPTER ITHE TWO OATHSOn an afternoon in the early summer of 1856 Captain Nathaniel Plum, master and owner of the sloop Typhoon was engaged in nothing more important than the smoking of an enormous pipe. Clouds of strongly odored smoke, tinted with the lights of the setting sun, had risen above his head in unremitting volumes for the last half hour. There was infinite contentment in his face,...
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CHAPTER ONE Philip Weyman's buoyancy of heart was in face of the fact that he had but recently looked upon Radisson's unpleasant death, and that he was still in a country where the water flowed north. He laughed and he sang. His heart bubbled over with cheer. He talked to himself frankly and without embarrassment, asked himself questions, answered them, discussed the beauties of nature and...
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CHAPTER I THE MUSIC "Listen, John—I hear music—" The words came in a gentle whisper from the woman's lips. One white, thin hand lifted itself weakly to the rough face of the man who was kneeling beside her bed, and the great dark eyes from which he had hidden his own grew luminously bright for a moment, as she whispered again: "John—I hear—music—" A sigh fluttered from...
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CHAPTER I THE FIGHT IN THE FOREST Cold winter lay deep in the Canadian wilderness. Over it the moon was rising, like a red pulsating ball, lighting up the vast white silence of the night in a shimmering glow. Not a sound broke the stillness of the desolation. It was too late for the life of day, too early for the nocturnal roamings and voices of the creatures of the night. Like the basin of a great...
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I "Such hair! Such eyes! Such color! Laugh if you will, Whittemore, but I swear that she was the handsomest girl I've ever laid my eyes upon!" There was an artist's enthusiasm in Gregson's girlishly sensitive face as he looked across the table at Whittemore and lighted a cigarette. "She wouldn't so much as give me a look when I stared," he added. "I couldn't...
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CHAPTER I It was all new—most of it singularly dramatic and even appalling to the woman who sat with the pearl-gray veil drawn closely about her face. For eighteen hours she had been a keenly attentive, wide-eyed, and partly frightened bit of humanity in this onrush of "the horde." She had heard a voice behind her speak of it as "the horde"—a deep, thick, gruff voice which she knew...
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CHAPTER ONE With the silence and immobility of a great reddish-tinted rock, Thor stood for many minutes looking out over his domain. He could not see far, for, like all grizzlies, his eyes were small and far apart, and his vision was bad. At a distance of a third or a half a mile he could make out a goat or a mountain sheep, but beyond that his world was a vast sun-filled or night-darkened mystery...
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Chapter I The Miracle Kazan lay mute and motionless, his gray nose between his forepaws, his eyes half closed. A rock could have appeared scarcely less lifeless than he; not a muscle twitched; not a hair moved; not an eyelid quivered. Yet every drop of the wild blood in his splendid body was racing in a ferment of excitement that Kazan had never before experienced; every nerve and fiber of his...
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CHAPTER I Bram Johnson was an unusual man, even for the northland. He was, above all other things, a creature of environment—and necessity, and of that something else which made of him at times a man with a soul, and at others a brute with the heart of a devil. In this story of Bram, and the girl, and the other man, Bram himself should not be blamed too much. He was pathetic, and yet he was terrible....
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THE VALLEY OF SILENT MEN Before the railroad's thin lines of steel bit their way up through the wilderness, Athabasca Landing was the picturesque threshold over which one must step who would enter into the mystery and adventure of the great white North. It is still Iskwatam—the "door" which opens to the lower reaches of the Athabasca, the Slave, and the Mackenzie. It is somewhat...
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