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Henry Morley
This volume of "Mediæval Tales" is in four parts, containing severally, (1) Turpin's "History of Charles the Great and Orlando," which is an old source of Charlemagne romance; (2) Spanish Ballads, relating chiefly to the romance of Charlemagne, these being taken from the spirited translations of Spanish ballads published in 1823 by John Gibson Lockhart; (3) a selection of stories...
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Henry Morley
Pope’s life as a writer falls into three periods, answering fairly enough to the three reigns in which he worked. Under Queen Anne he was an original poet, but made little money by his verses; under George I. he was chiefly a translator, and made much money by satisfying the French-classical taste with versions of the “Iliad” and “Odyssey.” Under George I. he also edited Shakespeare, but...
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Henry Morley
INTRODUCTION BY THE EDITOR. Recitation with dramatic energy by men whose business it was to travel from one great house to another and delight the people by the way, was usual among us from the first. The scop invented and the glee-man recited heroic legends and other tales to our Anglo-Saxon forefathers. These were followed by the minstrels and other tellers of tales written for the people. They...
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Henry Morley
INTRODUCTION. “A ray has pierced me from the highest heaven—I have believed in worth; and do believe.” So runs Mr. Woolner’s song, as it proceeds to show the issue of a noble earthly love, one with the heavenly. Its issue is the life of high endeavour, wherein “They who would be something moreThan they who feast, and laugh and die, will hearThe voice of Duty, as the note of...
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Henry Morley
INTRODUCTION. Gilbert White’s home in the quiet Hampshire village of Selborne is an old family house that has grown by additions, and has roofs of nature’s colouring, and creeping plants on walls that have not been driven by scarcity of ground to mount into the air. The house is larger, by a wing, now than when White lived in it. A little wooded park, that belongs to it, extends to a steep...
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