CHAPTER I Mrs. Munden had not yet been to my studio on so good a pretext as when she first intimated that it would be quite open to me—should I only care, as she called it, to throw the handkerchief—to paint her beautiful sister-in-law.  I needn’t go here more than is essential into the question of Mrs. Munden, who would really, by the way, be a story in herself.  She has a manner of her own of... more...

BLACK AND WHITE If there be nothing new under the sun there are some things a good deal less old than others. The illustration of books, and even more of magazines, may be said to have been born in our time, so far as variety and abundance are the signs of it; or born, at any rate, the comprehensive, ingenious, sympathetic spirit in which we conceive and practise it. If the centuries are ever arraigned... more...

I am glad I said to you the other night at Doubleton, inquiring—too inquiring—compatriot, that I wouldn't undertake to tell you the story (about Ambrose Tester), but would write it out for you; inasmuch as, thinking it over since I came back to town, I see that it may really be made interesting. It is a story, with a regular development, and for telling it I have the advantage that I happened... more...

HE thought he had already, poor John Berridge, tasted in their fulness the sweets of success; but nothing yet had been more charming to him than when the young Lord, as he irresistibly and, for greater certitude, quite correctly figured him, fairly sought out, in Paris, the new literary star that had begun to hang, with a fresh red light, over the vast, even though rather confused, Anglo-Saxon horizon;... more...

Mrs. Gereth had said she would go with the rest to church, but suddenly it seemed to her that she should not be able to wait even till church-time for relief: breakfast, at Waterbath, was a punctual meal, and she had still nearly an hour on her hands. Knowing the church to be near, she prepared in her room for the little rural walk, and on her way down again, passing through corridors and observing... more...

"But how—at the worst?" "Oh, 'the worst'—don't talk about the worst! I can keep them quiet at the best, I seem to feel, simply by our being there. It will work, from week to week, of itself. You'll see." He was willing enough to see, but he desired to provide—! "Yet if it doesn't work?" "Ah, that's talking about the worst!" Well, it... more...

CHAPTER I. EARLY YEARS. It will be necessary, for several reasons, to give this short sketch the form rather of a critical essay than of a biography. The data for a life of Nathaniel Hawthorne are the reverse of copious, and even if they were abundant they would serve but in a limited measure the purpose of the biographer. Hawthorne's career was probably as tranquil and uneventful a one as ever... more...

CHAPTER I The houses were dark in the August night and the perspective of Beacon Street, with its double chain of lamps, was a foreshortened desert.  The club on the hill alone, from its semi-cylindrical front, projected a glow upon the dusky vagueness of the Common, and as I passed it I heard in the hot stillness the click of a pair of billiard-balls.  As “every one” was out of town perhaps the... more...

CHAPTER I It was in the early days of April; Bernard Longueville had been spending the winter in Rome. He had travelled northward with the consciousness of several social duties that appealed to him from the further side of the Alps, but he was under the charm of the Italian spring, and he made a pretext for lingering. He had spent five days at Siena, where he had intended to spend but two, and still... more...

CHAPTER I A narrow grave-yard in the heart of a bustling, indifferent city, seen from the windows of a gloomy-looking inn, is at no time an object of enlivening suggestion; and the spectacle is not at its best when the mouldy tombstones and funereal umbrage have received the ineffectual refreshment of a dull, moist snow-fall. If, while the air is thickened by this frosty drizzle, the calendar should... more...