Showing: 11-15 results of 15

CHAPTER I THE EPISODE OF THE PATIENT WHO DISAPPOINTED HER DOCTOR Hilda Wade's gift was so unique, so extraordinary, that I must illustrate it, I think, before I attempt to describe it. But first let me say a word of explanation about the Master. I have never met anyone who impressed me so much with a sense of GREATNESS as Professor Sebastian. And this was not due to his scientific eminence alone:... more...

THE STRUGGLE FOR LIFE AMONG LANGUAGES. A distinguished Positivist friend of mine, who is in most matters a practical man of the world, astonished me greatly the other day at Venice, by the grave remark that Italian was destined to be the language of the future. I found on inquiry he had inherited the notion direct from Auguste Comte, who justified it on the purely sentimental and unpractical ground... more...

THE ADVENTURE OF THE CANTANKEROUS OLD LADY On the day when I found myself with twopence in my pocket, I naturally made up my mind to go round the world. It was my stepfather's death that drove me to it. I had never seen my stepfather. Indeed, I never even thought of him as anything more than Colonel Watts-Morgan. I owed him nothing, except my poverty. He married my dear mother when I was a girl at... more...

INTRODUCTION Which every reader of this book is requested to read before beginning the story. This is a Hill-top Novel. I dedicate it to all who have heart enough, brain enough, and soul enough to understand it. What do I mean by a Hill-top Novel? Well, of late we have been flooded with stories of evil tendencies: a Hill-top Novel is one which raises a protest in favour of purity. Why have not... more...

I. LETTER-WRITERS. Since old Leisure died, we have come to think ourselves altogether too fine and too busy to cultivate the delightful art of correspondence. Dickens seems to have been almost the last man among us who gave his mind to letter-writing; and his letters contain some of his very best work, for he plunged into his subject with that high-spirited abandonment which we see in... more...