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George Saintsbury
George Saintsbury (1845-1933) was a distinguished British literary critic, scholar, and historian renowned for his comprehensive works on English and French literature. He authored seminal texts such as "A History of English Prosody" and "A History of Criticism," which remain influential in the study of literary history and criticism. Saintsbury's meticulous scholarship and passionate appreciation for the art of writing significantly shaped the understanding and evaluation of literature in his era.
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PREFACE When my publishers were good enough to propose that I should undertake this book, they were also good enough to suggest that the Introduction should be of a character somewhat different from that of a school-anthology, and should attempt to deal with the Art of Letter-writing, and the nature of the Letter, as such. I formed a plan accordingly, by which the letters, and their separate Prefatory...
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PREFACE In beginning what, if it ever gets finished, must in all probability be the last of some already perhaps too numerous studies of literary history, I should like to point out that the plan of it is somewhat different from that of most, if not all, of its predecessors. I have usually gone on the principle (which I still think a sound one) that, in studying the literature of a country, or in...
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PREFACE. As this volume, although not the first in chronological order, is likely to be the first to appear in the Series of which it forms part, and of which the author has the honour to be editor, it may be well to say a few words here as to the scheme of this Series generally. When that scheme was first sketched, it was necessarily objected that it would be difficult, if not impossible, to obtain...
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INTRODUCTION THE KINDS OF CRITICISM It is probably unnecessary, and might possibly be impertinent, to renew here at any length the old debate between reviewers as reviewers, and reviewers as authors—the debate whether the reissue of work contributed to periodicals is desirable or not. The plea that half the best prose literature of this century would be inaccessible if the practice had been...
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As was explained in the Note to the Preface of the previous editions and impressions of this book, after the first, hardly one of them appeared without careful revision, and the insertion of a more or less considerable number of additions and corrections. I found, indeed, few errors of a kind that need have seemed serious except to Momus or Zoilus. But in the enormous number of statements of fact which...
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PREFACE. An attempt to present to students a succinct history of the course of French literature compiled from an examination of that literature itself, and not merely from previous accounts of it is, I believe, a new one in English. There will be observed in the parts of this Short History a considerable difference of method; and as such a difference is not usual in works of the kind, it may be well...
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ADVERTISEMENT. [Prefaced to Edition issued in 1808, edited by Sir Walter Scott.] After the lapse of more than a century since the author's death, the Works of Dryden are now, for the first time, presented to the public in a complete and uniform edition. In collecting the pieces of one of our most eminent English classics,—one who may claim at least the third place in that honoured list, and who...
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INTRODUCTION. [Illustration] Thackeray In His Study At Onslow Square. From a painting by E. M. Ward We know exceedingly little of the genesis and progress of Esmond. “It did not seem to be a part of our lives as Pendennis was,” says Lady Ritchie, though she wrote part of it to dictation. She “only heard Esmond spoken of very rarely”. Perhaps its state was not the less gracious. The Milton girls...
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INTRODUCTION It is sometimes thought, and very often said, that political writing, after its special day is done, becomes more dead than any other kind of literature, or even journalism. I do not know whether my own judgment is perverted by the fact of a special devotion to the business, but it certainly seems to me that both the thought and the saying are mistakes. Indeed, a rough-and-ready refutation...
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LIFE TILL MARRIAGE Scott's own 'autobiographic fragment,' printed in Lockhart's first volume, has made other accounts of his youth mostly superfluous, even to a day which persists in knowing better about everything and everybody than it or they knew about themselves. No one ever recorded his genealogy more minutely, with greater pride, or with a more saving sense of humour than Sir...
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