PREFACE By this edition of HAMLET I hope to help the student of Shakspere to understand the play—and first of all Hamlet himself, whose spiritual and moral nature are the real material of the tragedy, to which every other interest of the play is subservient. But while mainly attempting, from the words and behaviour Shakspere has given him, to explain the man, I have cast what light I could upon... more...

THE EARRING. "Come oot o' the gutter, ye nickum!" cried, in harsh, half-masculine voice, a woman standing on the curbstone of a short, narrow, dirty lane, at right angles to an important thoroughfare, itself none of the widest or cleanest. She was dressed in dark petticoat and print wrapper. One of her shoes was down at the heel, and discovered a great hole in her stocking. Had her black... more...

I. INTRODUCTION. I have been requested to write some papers on our Lord's miracles. I venture the attempt in the belief that, seeing they are one of the modes in which his unseen life found expression, we are bound through them to arrive at some knowledge of that life. For he has come, The Word of God, that we may know God: every word of his then, as needful to the knowing of himself, is needful... more...

CHAPTER I. RACHEL AND HER UNCLE. It was nearly dark when they arrived again at the lodge. Rachel opened the gate for them. Without even a THANK YOU, they rode out. She stood for a moment gazing after them through the dusk, then turned with a sigh, and went into the kitchen, where her uncle sat by the fire with a book in his hand. "How I should like to be as well made as Miss Lingard!" she said,... more...

CHAPTER I. SACRED LYRICS OF THE THIRTEENTH CENTURY. In the midst of wars and rumours of wars, the strife of king and barons, and persistent efforts to subdue neighbouring countries, the mere effervescence of the life of the nation, let us think for a moment of that to which the poems I am about to present bear good witness—the true life of the people, growing quietly, slowly,... more...

FOOT-FARING. It was a lovely morning in the first of summer. Donal Grant was descending a path on a hillside to the valley below—a sheep-track of which he knew every winding as well as any boy his half-mile to and from school. But he had never before gone down the hill with the feeling that he was not about to go up again. He was on his way to pastures very new, and in the distance only negatively... more...

CHAPTER I. THE STORY TOLD BY IAN. "There was once a woman whose husband was well to do, but he died and left her, and then she sank into poverty. She did her best; but she had a large family, and work was hard to find, and hard to do when it was found, and hardly paid when it was done. Only hearts of grace can understand the struggles of the poor—with everything but God against them! But she... more...

CHAPTER I. THE PARLOR. In the dusk of the old-fashioned best room of a farm-house, in the faint glow of the buried sun through the sods of his July grave, sat two elderly persons, dimly visible, breathing the odor which roses unseen sent through the twilight and open window. One of the two was scarcely conscious of the odor, for she did not believe in roses; she believed mainly in mahogany, linen, and... more...

CHAPTER I. MRS. DAY BEGINS THE STORY. I am old, else, I think, I should not have the courage to tell the story I am going to tell. All those concerned in it about whose feelings I am careful, are gone where, thank God, there are no secrets! If they know what I am doing, I know they do not mind. If they were alive to read as I record, they might perhaps now and again look a little paler and wish the... more...

CHAPTER I. LANDLORD'S DAUGHTER AND TENANT'S SON. In a kitchen of moderate size, flagged with slate, humble in its appointments, yet looking scarcely that of a farmhouse—for there were utensils about it indicating necessities more artificial than usually grow upon a farm—with the corner of a white deal table between them, sat two young people evidently different in rank, and meeting upon... more...