George Eliot

Chapter I The Workshop With a single drop of ink for a mirror, the Egyptian sorcerer undertakes to reveal to any chance comer far-reaching visions of the past. This is what I undertake to do for you, reader. With this drop of ink at the end of my pen, I will show you the roomy workshop of Mr. Jonathan Burge, carpenter and builder, in the village of Hayslope, as it appeared on the eighteenth of June, in... more...

CHAPTER I Among the many fatalities attending the bloom of young desire, that of blindly taking to the confectionery line has not, perhaps, been sufficiently considered.  How is the son of a British yeoman, who has been fed principally on salt pork and yeast dumplings, to know that there is satiety for the human stomach even in a paradise of glass jars full of sugared almonds and pink lozenges, and... more...

CHAPTER I. Men can do nothing without the make-believe of a beginning. Even science, the strict measurer, is obliged to start with a make-believe unit, and must fix on a point in the stars' unceasing journey when his sidereal clock shall pretend that time is at Nought. His less accurate grandmother Poetry has always been understood to start in the middle; but on reflection it appears that her... more...

How Lisa loved the King. Six hundred years ago, in Dante’s time,Before his cheek was furrowed by deep rhyme;When Europe, fed afresh from Eastern story,Was like a garden tangled with the gloryOf flowers hand-planted and of flowers air-sown,Climbing and trailing, budding and full-blown,Where purple bells are tossed amid pink stars,And springing blades, green troops in innocent wars,Crowd every shady... more...

I. LOOKING INWARD. It is my habit to give an account to myself of the characters I meet with: can I give any true account of my own? I am a bachelor, without domestic distractions of any sort, and have all my life been an attentive companion to myself, flattering my nature agreeably on plausible occasions, reviling it rather bitterly when it mortified me, and in general remembering its doings and... more...

CHAPTER I. "Since I can do no good because a woman,Reach constantly at something that is near it.—The Maid's Tragedy: BEAUMONT AND FLETCHER. Miss Brooke had that kind of beauty which seems to be thrown into relief by poor dress. Her hand and wrist were so finely formed that she could wear sleeves not less bare of style than those in which the Blessed Virgin appeared to Italian painters; and... more...

Prologue. More than three centuries and a half ago, in the mid spring-time of 1492, we are sure that the angel of the dawn, as he travelled with broad slow wing from the Levant to the Pillars of Hercules, and from the summits of the Caucasus across all the snowy Alpine ridges to the dark nakedness of the Western isles, saw nearly the same outline of firm land and unstable sea—saw the same great... more...

INTRODUCTION George Eliot, or Mary Ann Evans, was born at Arbury Farm, in the parish of Chilvers Coton, Warwickshire, on the 22nd of November, 1819. She was the fifth and last child of her father by his second wife—of that father whose sound sense and integrity she so keenly appreciated, and who was to a certain extent the original of her famous characters of Adam Bede and Caleb Garth. Both during... more...

CHAPTER I In the days when the spinning-wheels hummed busily in the farmhouses—and even great ladies, clothed in silk and thread-lace, had their toy spinning-wheels of polished oak—there might be seen in districts far away among the lanes, or deep in the bosom of the hills, certain pallid undersized men, who, by the side of the brawny country-folk, looked like the remnants of a disinherited race.... more...

PREFACE. Since the death of George Eliot much public curiosity has been excited by the repeated allusions to, and quotations from, her contributions to periodical literature, and a leading newspaper gives expression to a general wish when it says that “this series of striking essays ought to be collected and reprinted, both because of substantive worth and because of the light they throw on the... more...