David Christie Murray

David Christie Murray
David Christie Murray (1847-1907) was a notable English novelist and journalist, acclaimed for his engaging and insightful novels which often explored themes of social issues and human nature. He gained popularity with works like "A Life's Atonement" and "Joseph's Coat," which were well-received for their narrative style and character development. Murray's career also included significant contributions to journalism, reflecting his deep interest in societal matters and human behavior.

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CHAPTER I. A quartette party—three violins and a 'cello—sat in summer evening weather in a garden. This garden was full of bloom and odor, and was shut in by high walls of ripe old brick. Here and there were large-sized plaster casts—Venus, Minerva, Mercury, a goat-hoofed Pan with his pipes, a Silence with a finger at her lips. They were all sylvan green and crumbled with exposure to the... more...

In the year eighteen hundred and twenty, and for many years before and after, Abel Reddy farmed his own land at Perry Hall End, on the western boundaries of Castle Barfield. He lived at Perry Hall, a ripe-coloured old tenement of Elizabethan design, which crowned a gentle eminence and looked out picturesquely on all sides from amongst its neighbouring trees. It had a sturdier aspect in its age than it... more...

CHAPTER I The people of Castle Barfield boast that the middle of their High Street is on a level with the cross of St. Paul's Cathedral. The whole country-side is open, and affords a welcome to storm from whatever corner of the compass it may blow. You have to get right away into the Peak district before you can find anything like an eminence of distinction, though the mild slopes of Quarry-moor... more...

I have told my wife quite plainly that in my opinion I am as little fitted by nature for the task she has laid upon my shoulders as any man alive. I have spent a great part of my life in action; and though the later part of it has been quieter and more peaceful than the earlier, and though I have enjoyed opportunities of study which I never had before, I am still anything but a bookish man, and I am... more...

CHAPTER I. Christopher was a fiddler and a man of genius. Educated people do not deny the possibility of such a combination; but it was Christopher's misfortune to live amongst a dull and bovine-seeming race, who had little sympathy with art and no knowledge of an artist's longings. They contented themselves, for the most part, with the belief that Christopher was queer. Perhaps he was. My... more...

CHAPTER I.—IN THE ATTIC. I live in an attic. I am in the immediate neighbourhood of a great tavern and a famous place of amusement. The thoroughfare on which I can look whilst I sit at my window is noisy with perpetual traffic. In the midst of London I am more of a hermit than is that pretentious humbug who waves his flag at passing steamers from his rock in the Ægean. I am not a hermit from any... more...

Castle Barfield, Heydon Hey, and Beacon Hargate form the three points of a triangle. Barfield is a parish of some pretensions; Heydon Hey is a village; Beacon Hargate is no more than a hamlet. There is not much that is picturesque in Beacon Hargate, or its neighbourhood. The Beacon Hill itself is as little like a hill as it well can be, and acquires what prominence it has by virtue of the extreme... more...

PREFACE Every man who writes about himself is, on the face of the matter, obnoxious to the suspicion which haunts the daily pathway of the Bore. To talk of self and not be offensive demands an art which is not always given to man. And yet we are always longing to get near each other and to understand each other; and in default of a closer communion with our living fellows we take to our bosoms the... more...

I.—FIRST, THE CRITICS, AND THEN A WORD ON DICKENS The critics of to-day are suffering from a sort of epidemic of kindness. They have accustomed themselves to the administration of praise in unmeasured doses. They are not, taking them in the mass, critics any longer, but merely professional admirers. They have ceased to be useful to the public, and are becoming dangerous to the interests of letters.... more...

A solitary passenger alighted from the train, and many people looked curiously after him. The mulatto porter handed to the platform a well-battered portmanteau, which was plastered thickly over with luggage-labels and the advertising tickets of hotels in every quarter of the globe. A great canvas bag followed, ornamented in like fashion. Then from the baggage-van an invisible person tumbled, a canvas... more...

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