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Charles John Kean
Charles John Kean (1811–1868) was an English actor and theatrical manager, known for his meticulous stage productions of Shakespeare's plays. He was the son of the famous actor Edmund Kean, and although initially overshadowed by his father, Charles gained prominence through his own distinct style and attention to historical accuracy. Kean managed the Princess's Theatre in London from 1850 to 1859, where he staged elaborate productions of "Hamlet," "King Lear," and "Macbeth." His innovations in stage design and use of scenery helped set new standards for theatrical realism in the 19th century.
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ACT I. Various groups of Nobles, Citizens, Merchants, Foreigners, Water-Carriers, Flower Girls, &c., pass and repass. Procession of the Doge, in state, across the square. ANTONIO, SALARINO, and SALANIO come forward. Ant. In sooth, I know not why I am so sad;It wearies me; you say, it wearies you;But how I caught it, found it, or came by it,What stuff 'tis made of, whereof it is born,I am to...
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PREFACE. In the selection of my last Shakespearean revival at the Princess’s Theatre, I have been actuated by a desire to present some of the finest poetry of our great dramatic master, interwoven with a subject illustrating a most memorable era in English history. No play appears to be better adapted for this two-fold purpose than that which treats of Shakespeare’s favorite hero, and England’s...
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ACT I. Scene I.—ELSINORE. A Platform before the Castle. Night. Francisco on his post. Enter to him Bernardo, L.H. Ber. Who's there? Fran. (R.) Nay, answer me: stand, and unfold yourself. Ber. Long live the king! Fran. Bernardo? Ber. He. Fran. You come most carefully upon your hour. Ber. 'Tis now struck twelve; get thee to bed, Francisco. Fran. For this relief much thanks: [Crosses to L.]...
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