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THE GREAT EVENTS (ERA OF POLITICAL-RELIGIOUS WARS) CHARLES F. HORNE Gazing across the broader field of universal history, one comes more and more to overlook the merely temporary, constantly shifting border lines of states, and to see Western Europe as a whole, to watch its nations as a single people guided by similar developments of the mind, impelled by similar stirrings of the heart, taking part in...
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The poems of Homer differ from all other known poetry in this, that they constitute in themselves an encyclopædia of life and knowledge at a time when knowledge, indeed, such as lies beyond the bounds of actual experience, was extremely limited, but when life was singularly fresh, vivid, and expansive. The only poems of Homer we possess are the "Iliad" and the "Odyssey," for the...
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"After us, the deluge!" said Louis XV of France. He died in 1774, and the remaining quarter of the eighteenth century witnessed social changes the most radical, the most widespread which had convulsed civilization since the fall of Rome. "As soon as our peasants seek education," said Catharine II of Russia to one of her ministers, "neither you nor I will retain our places."...
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With the death of Sardanapalus, the great monarch of Assyria, and the taking of Nineveh, the capital city, by the Medes, the kingdom of Assyria came to an end, and the vast domain was parcelled out among the conquerors. At the time of the catastrophe, the district of Babylonia, with its capital city Babylon, was ruled as a dependent satrapy of Assyria by Nabopolassar. Aided by the Medes, he now took...
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CHARLES F. HORNE Our modern civilization is built up on three great corner-stones, three inestimably valuable heritages from the past. The Græco-Roman civilization gave us our arts and our philosophies, the bases of intellectual power. The Hebrews bequeathed to us the religious idea, which has saved man from despair, has been the potent stimulus to two thousand years of endurance and hope. The Teutons...
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Phidias, one of the greatest sculptors the world has seen, and whose name has become, as it were, the synonym of his art, was born at Athens about 500 B.C. He belonged to a family of artists, none of whom indeed were distinguished in their profession, but their varied occupations furnished the atmosphere in which such a talent as that of Phidias could best be fostered and brought to maturity. His...
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