Arthur William Brown

Arthur William Brown
Arthur William Brown (1881–1966) was a Canadian-American illustrator known for his work in magazines such as "The Saturday Evening Post" and "Collier's". His illustrations often depicted everyday American life, particularly focusing on the dynamics of romance and family relationships. Brown's art was characterized by its expressive line work and keen attention to detail, making him one of the prominent illustrators of his time.

Author's Books:


INTRODUCING ALEX THE GREAT Girls, listen—if friend hubby comes home to-night and while hurlin' the cat off his favorite chair, remarks that he's got a scheme to make gold out of mud or pennant winners out of the St. Looey Cardinals, don't threaten to leave him flat and accuse him of givin' aid and comfort to the breweries. Turn the gas out under the steak, be seated and register... more...

I THE DUB "Smell," P. Sybarite mused aloud.... For an instant he was silent in depression. Then with extraordinary vehemence he continued crescendo: "Stupid-stagnant-sepulchral- sempiternally-sticky-Smell!" He paused for both breath and words—pondered with bended head, knitting his brows forbiddingly. "Supremely squalid, sinisterly sebaceous, sombrely sociable Smell!" he... more...

CHAPTER I TORCHY AND VEE ON THE WAY Say, I thought I'd taken a sportin' chance now and then before; but I was only kiddin' myself. Believe me, this gettin' married act is the big plunge. Uh-huh! Specially when it's done offhand and casual, the way we went at it. My first jolt is handed me early in the mornin' as we piles off the mountain express at this little flag stop up... more...

THE END OF THE TETHER Durkin folded the printed pages of the newspaper with no outward sign of excitement. Then he took out his money, quietly, and counted it, with meditative and pursed-up lips. His eyes fell on a paltry handful of silver, with the dulled gold of one worn napoleon showing from its midst. He remembered, suddenly, that it was the third time he had counted that ever-lightening handful... more...

CHAPTER I The youngish-looking man who so vigorously swung off the train at Restview, wore a pair of intensely dark blue eyes which immediately photographed everything within their range of vision—flat green country, shaded farm-houses, encircling wooded hills and all—weighed it and sorted it and filed it away for future reference; and his clothes clung on him with almost that enviable fit found... more...