Categories
- Antiques & Collectibles 13
- Architecture 36
- Art 48
- Bibles 22
- Biography & Autobiography 813
- Body, Mind & Spirit 137
- Business & Economics 28
- Computers 4
- Cooking 94
- Crafts & Hobbies 4
- Drama 346
- Education 45
- Family & Relationships 57
- Fiction 11812
- Games 19
- Gardening 17
- Health & Fitness 34
- History 1377
- House & Home 1
- Humor 147
- Juvenile Fiction 1873
- Juvenile Nonfiction 202
- Language Arts & Disciplines 88
- Law 16
- Literary Collections 686
- Literary Criticism 179
- Mathematics 13
- Medical 41
- Music 40
- Nature 179
- Non-Classifiable 1768
- Performing Arts 7
- Periodicals 1453
- Philosophy 63
- Photography 2
- Poetry 896
- Political Science 203
- Psychology 42
- Reference 154
- Religion 498
- Science 126
- Self-Help 79
- Social Science 80
- Sports & Recreation 34
- Study Aids 3
- Technology & Engineering 59
- Transportation 23
- Travel 463
- True Crime 29
Arthur William Brown
Arthur William Brown (1881–1966) was a Canadian-American illustrator known for his work in magazines such as "The Saturday Evening Post" and "Collier's". His illustrations often depicted everyday American life, particularly focusing on the dynamics of romance and family relationships. Brown's art was characterized by its expressive line work and keen attention to detail, making him one of the prominent illustrators of his time.
Author's Books:
Sort by:
CHAPTER I TORCHY AND VEE ON THE WAY Say, I thought I'd taken a sportin' chance now and then before; but I was only kiddin' myself. Believe me, this gettin' married act is the big plunge. Uh-huh! Specially when it's done offhand and casual, the way we went at it. My first jolt is handed me early in the mornin' as we piles off the mountain express at this little flag stop up...
more...
INTRODUCING ALEX THE GREAT Girls, listen—if friend hubby comes home to-night and while hurlin' the cat off his favorite chair, remarks that he's got a scheme to make gold out of mud or pennant winners out of the St. Looey Cardinals, don't threaten to leave him flat and accuse him of givin' aid and comfort to the breweries. Turn the gas out under the steak, be seated and register...
more...
CHAPTER I The youngish-looking man who so vigorously swung off the train at Restview, wore a pair of intensely dark blue eyes which immediately photographed everything within their range of vision—flat green country, shaded farm-houses, encircling wooded hills and all—weighed it and sorted it and filed it away for future reference; and his clothes clung on him with almost that enviable fit found...
more...
THE END OF THE TETHER Durkin folded the printed pages of the newspaper with no outward sign of excitement. Then he took out his money, quietly, and counted it, with meditative and pursed-up lips. His eyes fell on a paltry handful of silver, with the dulled gold of one worn napoleon showing from its midst. He remembered, suddenly, that it was the third time he had counted that ever-lightening handful...
more...
I THE DUB "Smell," P. Sybarite mused aloud.... For an instant he was silent in depression. Then with extraordinary vehemence he continued crescendo: "Stupid-stagnant-sepulchral- sempiternally-sticky-Smell!" He paused for both breath and words—pondered with bended head, knitting his brows forbiddingly. "Supremely squalid, sinisterly sebaceous, sombrely sociable Smell!" he...
more...