Arthur Christopher Benson

Arthur Christopher Benson
Arthur Christopher Benson (1862–1925) was an English essayist, poet, and academic known for his reflective and introspective writings. He is most famous for his lyric poem "Land of Hope and Glory," which was set to music by Edward Elgar and became an iconic British patriotic song. Benson also served as the Master of Magdalene College, Cambridge, and authored numerous essays and memoirs that explore themes of self-awareness, education, and the beauty of the English countryside.

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MONK'S ORCHARD, UPTON,Jan. 23, 1904. MY DEAR HERBERT,—I have just heard the disheartening news, and I write to say that I am sorry toto corde. I don't yet know the full extent of the calamity, the length of your exile, the place, or the conditions under which you will have to live. Perhaps you or Nelly can find time to let me have a few lines about it all? But I suppose there is a good side... more...

PREFACE It is a harder thing than it ought to be to write openly and frankly of things private and sacred. "Secretum meum mihi!"—"My secret is my own!"—cried St. Francis in a harrowed moment. But I believe that the instinct to guard and hoard the inner life is one that ought to be resisted. Secrecy seems to me now a very uncivilised kind of virtue, after all! We have all of us, or... more...

INTRODUCTION WILLIAM CORY (Johnson) was born at Torrington in Devonshire, on January 9, 1823. He was the son of Charles William Johnson, a merchant, who retired at the early age of thirty, with a modest competence, and married his cousin, Theresa Furse, of Halsdon, near Torrington, to whom he had long been attached. He lived a quiet, upright, peaceable life at Torrington, content with little, and... more...

PREFACE These stories were all written at a very happy time of my life, and they were first published when I was a master at Eton with a boarding-house. A house-master is not always a happy man. It is an anxious business at best. Boys are very unaccountable creatures, and the years between boyhood and adolescence are apt to represent an irresponsible mood. From the quiet childhood at home the boys have... more...

I. THE SCENE Yes, of course it is an experiment! But it is made in corpore vili. It is not irreparable, and there is no reason, more's the pity, why I should not please myself. I will ask—it is a rhetorical question which needs no answer—what is a hapless bachelor to do, who is professionally occupied and tied down in a certain place for just half the year? What is he to do with the other... more...

INTRODUCTION I think that a book like the following, which deals with a subject so great and so mysterious as our hope of immortality, by means of an allegory or fantasy, needs a few words of preface, in order to clear away at the outset any misunderstandings which may possibly arise in a reader's mind. Nothing is further from my wish than to attempt any philosophical or ontological exposition of... more...

THE SILENT ISLE I The Silent Isle, I name it; and yet in no land in which I have ever lived is there so little sight and sound of water as here. It oozes from field to drain, it trickles from drain to ditch, it falls from ditch to dyke, and then moves silently to the great seaward sluice; it is not a living thing in the landscape, bright and vivacious, but rather something secret and still, drawn... more...

I The bright pale February sunlight lay on the little court of Beaufort College, Cambridge, on the old dull-red smoke-stained brick, the stone mullions and mouldings, the Hall oriel, the ivied buttresses and battlements, the turrets, the tiled roofs, the quaint chimneys, and the lead-topped cupola over all. Half the court was in shadow. It was incredibly picturesque, but it had somehow the look of a... more...

The Isles of Sunset About midway between the two horns of the bay, the Isles of Sunset pierced the sea. There was deep blue water all around them, and the sharp and fretted pinnacles of rock rose steeply up to heaven. The top of the largest was blunt, and covered with a little carpet of grass and sea-herbs. The rest were nought but cruel spires, on which no foot but that of sea-birds could go. At one... more...

THE POINT OF VIEW I have lately come to perceive that the one thing which gives value to any piece of art, whether it be book, or picture, or music, is that subtle and evasive thing which is called personality. No amount of labour, of zest, even of accomplishment, can make up for the absence of this quality. It must be an almost wholly instinctive thing, I believe. Of course, the mere presence of... more...

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