Excerpt
MISS PAT ARRIVES
"The train's in, Elinor, and she'll be here in a jiffy. Bruce said he'd get a taxi, so as not to lose a minute. Do come and watch that corner while I keep my eyes on this one," said Judith, in a sudden flurry.
She was standing with her nose pressed against the cool glass of the studio window, staring eagerly out across the wintry square and scanning the opposite streets with intent gaze, and even when she gestured urgently to her older sister, her eyes never left the busy outdoor scene.
"I wish the studio wasn't so high up in the air that we can't possibly see the door," she regretted. "I'd so love to see her as she gets out—Miss Pat always makes me feel sort of thrilly and excited when I see her hopping out of a carriage or coming up the walk. Something nice usually happens when she rushes in, all laughing and sparkly, doesn't it, Elinor?" she ended, cuddling up against the tall, slender figure which had joined her at the deep casement.
Elinor smiled and patted her pale hair. "I think, chick, that the best thing that happens when Miss Pat comes in is—just Miss Pat herself."
Judith nodded, with her searching eyes on the crowded streets below. "That must be it," she agreed thoughtfully. "I didn't think of it just that way, but I guess you're right. She's so—so—pleasant that she makes the stupid little things that happen seem like big eventful-ish doings. At Greycroft this winter things seemed terribly exciting, and now, when I look back at them, they really weren't so very wonderful."
"It's the spirit, my dearest Judy, that puts the sparkle into life," said Elinor absently, with her flexible artist hands straying idly over the pale mass of her little sister's straight heavy locks. "Many girls lead vastly more interesting and exciting lives than our dear Miss Pat, but they have dull spirits, and so we don't notice them; while we're all bursting with enthusiasm over every little thing she happens to be doing. It's her gay, glad spirit that wins our interest, bless her heart."
Judith nodded again. "I know," she said conclusively. "When Miriam and she went into the chicken business no one got awfully excited over Miriam's part of it, while they were all trying to help Miss Pat make a success of it. And when we were fixing up the Social House, even old Mr. Peberdy woke up when she scolded him. It's queer, isn't it, how she makes you feel? She——"
A rap-a-tap-tap on the knocker sounded sharply and then, before either Judith or Elinor could move, the door was flung open and Patricia, followed by Bruce and Mrs. Spicer, rushed breathlessly in.
"Oh, you darlings!" she cried, hugging them both at once. "Oh, how heavenly it is to be here, and how adorable you look! Judy, that's a simply perfect green in that frock, and, Norn, you're lovelier than ever in that queer faded yellow. The studio looks stunning. Oh, I'm so excited that I don't know what I'm doing! To think of actually being here at last!" And she flung down her hat on the long divan and, crumpling her bright hair between both pink palms, she stepped back and faced the group in the middle of the studio with laughing lips and wet eyes....