Chapter I.—PRELIMINARIES TO A FOURTH CAMPAIGN. The posting of the Five Armies this Winter—Five of them in Germany, not counting the Russians, who have vanished to Cimmeria over the horizon, for their months of rest—is something wonderful, and strikes the picturesque imagination. Such a Chain of Posts, for length, if for nothing else! From the centre of Bohemia eastward, Daun's Austrians are spread all round the western Silesian... more...

Chapter I.—FIFTH CAMPAIGN OPENS. There were yet, to the world's surprise and regret, Three Campaigns of this War; but the Campaign 1760, which we are now upon, was what produced or rendered possible the other two;—was the crisis of them, and is now the only one that can require much narrative from us here. Ill-luck, which, Friedrich complains, had followed him like his shadow, in a strange and fateful manner, from the day of... more...

Chapter I.—PREFATORY. The Twelve Hercules-labors of this King have ended here; what was required of him in World-History is accomplished. There remain to Friedrich Twenty-three Years more of Life, which to Prussian History are as full of importance as ever; but do not essentially concern European History, Europe having gone the road we now see it in. On the grand World-Theatre the curtain has fallen for a New Act; Friedrich's part, like... more...

NO. I. THE PRESENT TIME. [February 1, 1850.] The Present Time, youngest-born of Eternity, child and heir of all the Past Times with their good and evil, and parent of all the Future, is ever a "New Era" to the thinking man; and comes with new questions and significance, however commonplace it look: to know it, and what it bids us do, is ever the sum of knowledge for all of us. This new Day, sent us out of Heaven, this also has its heavenly... more...

CHAPTER I. INTRODUCTORY. Near seven years ago, a short while before his death in 1844, John Sterling committed the care of his literary Character and printed Writings to two friends, Archdeacon Hare and myself. His estimate of the bequest was far from overweening; to few men could the small sum-total of his activities in this world seem more inconsiderable than, in those last solemn days, it did to him. He had burnt much; found much unworthy;... more...

LECTURES ON HEROES. LECTURE I. THE HERO AS DIVINITY. ODIN. PAGANISM: SCANDINAVIAN MYTHOLOGY. [May 5, 1840.] We have undertaken to discourse here for a little on Great Men, their manner of appearance in our world's business, how they have shaped themselves in the world's history, what ideas men formed of them, what work they did;—on Heroes, namely, and on their reception and performance; what I call Hero-worship and the Heroic in human... more...

BIOGRAPHICAL INTRODUCTION. There comes a time in the career of every man of genius who has devoted a long life to the instruction and enlightenment of his fellow-creatures, when he receives before his death all the honours paid by posterity. Thus when a great essayist or historian lives to attain a classic and world-wide fame, his own biography becomes as interesting to the public as those he himself has written, and by which he achieved his... more...

CHAPTER I. MIDAS. The condition of England, on which many pamphlets are now in the course of publication, and many thoughts unpublished are going on in every reflective head, is justly regarded as one of the most ominous, and withal one of the strangest, ever seen in this world. England is full of wealth, of multifarious produce, supply for human want in every kind; yet England is dying of inanition. With unabated bounty the land of England... more...

INTRODUCTION  Being an appreciation from "The Dial" (July 1843)            by Ralph Waldo Emerson Here is Carlyle's new poem, his Iliad of English woes, to follow his poem on France, entitled the History of the French Revolution. In its first aspect it is a political tract, and since Burke, since Milton, we have had nothing to compare with it. It grapples honestly with the... more...

INTRODUCTION One of the most vital and pregnant books in our modern literature, “Sartor Resartus” is also, in structure and form, one of the most daringly original. It defies exact classification. It is not a philosophic treatise. It is not an autobiography. It is not a romance. Yet in a sense it is all these combined. Its underlying purpose is to expound in broad outline certain ideas which lay at the root of Carlyle’s whole... more...