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Robert Wesley Amick
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KIT AND THE GIRL OF THE LARK CALL In the shade of Pedro Vijil’s little brown adobe on the Granados rancho, a horseman squatted to repair a broken cinch with strips of rawhide, while his horse––a strong dappled roan with a smutty face––stood near, the rawhide bridle over his head and the quirt trailing the ground. The horseman’s frame of mind was evidently not of the sweetest, for to Vijil...
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