Robert Bloomfield

August, 1790. The bard, who paints from rural plains,  Must oft himself the void supplyOf damsels pure and artless swains,  Of innocence and industry: For sad experience shows the heart  Of human beings much the same;Or polish'd by insidious art,  Or rude as from the clod it came. And he who roams the village round,  Or strays amid the harvest sere,Will hear, as now, too many a... more...

Difficulties—Consent. 'Night will come on; when seated snug,'And you've perhaps begun some tale,'Can you then leave your dear stone mug;'Leave all the folks, and all the Ale?' 'Ay, Kate, I wool;—because I know,'Though time has been we both could run,'Such days are gone and over now;—'I only mean to see the fun.' She straight slipp'd off... more...

THE BANKS OF THE WYE. BOOK I. "Rouse from thy slumber, pleasure calls, arise,Quit thy half-rural bower, awhile despiseThe thraldom that consumes thee. We who dwellFar from thy land of smoke, advise thee well.Here Nature's bounteous hand around shall fling,Scenes that thy Muse hath never dar'd to sing.When sickness weigh'd thee down, and strength declin'd;When dread eternity... more...

AUTHOR'S PREFACE. We all know that Æsop has made his birds and beasts talk, and reason too; and that so well as still to make the volume bearing his name a favourite with thousands. Perhaps, too, we all know that same French author has objected to this method of teaching, alleging that children should not be imposed upon (or something to that effect), and led to believe in the reality of talking... more...

ABNER AND THE WIDOW JONES, A Familiar Ballad. Well! I'm determin'd; that's enough:—  Gee, Bayard! move your poor old bones,I'll take to-morrow, smooth or rough,  To go and court the Widow Jones. Our master talks of stable-room,  And younger horses on his grounds;'Tis easy to foresee thy doom,  Bayard, thou'lt go to feed the hounds. The first Determination. But... more...