Hilaire Belloc

I About two hundred years ago a number of things began to appear in Europe which were the fruit of the Renaissance and of the Reformation combined: Two warring twins. These things appeared first of all in England, because England was the only province of Europe wherein the old Latin tradition ran side by side with the novel effects of protestantism. But for England the great schism and heresy of the... more...

THE HISTORIC THAMES England has been built up upon the framework of her rivers, and, in that pattern, the principal line has been the line of the Thames. Partly because it was the main highway of Southern England, partly because it looked eastward towards the Continent from which the national life has been drawn, partly because it was better served by the tide than any other channel, but mainly because... more...

INTRODUCTION. It is the object of this book, and those which will succeed it in the same series, to put before the reader the main lines of the European War as it proceeds. Each such part must necessarily be completed and issued some little time after the events to which it relates have passed into history. The present first, or introductory volume, which is a preface to the whole, covers no more than... more...

DEDICATION TOTHE OTHER MANMR PHILIP KERSHAW There were once two men. They were men of might and breeding. They were young, they were intolerant, they were hale. Were there for humans as there is for dogs a tribunal to determine excellence; were there judges of anthropoidal points and juries to, give prizes for manly race, vigour, and the rest, undoubtedly these two men would have gained the gold and... more...

MY DEAR ECCLES, You will, I know, permit me to address you these essays which are more the product of your erudition than of my enthusiasm. With the motives of their appearance you are familiar. We have wondered together that a society so avid of experience and enlargement as is ours, should ignore the chief expression of its closest neighbour, its highest rival and its coheir in Europe: should ignore,... more...

INTRODUCTION Between those last precise accounts of military engagements which antiquity has left us in small number, and what may be called the modern history of war, there lies a period of many centuries—quite 1400 years—during which the details of an action and even the main features of a campaign are never given us by contemporary recorders. Through all that vast stretch of time we are... more...

INTRODUCTION Upon being asked by a Reader whether the verses contained in this book were true.   And is it True? It is not True.And if it were it wouldn’t do,For people such as me and youWho pretty nearly all day longAre doing something rather wrong.Because if things were really so,You would have perished long ago,And I would not have lived to writeThe noble lines that meet your sight,Nor B. T. B.... more...

THE POLITICAL OBJECT AND EFFECT OF THE WATERLOO CAMPAIGN It must continually be insisted upon in military history, that general actions, however decisive, are but the functions of campaigns; and that campaigns, in their turn, are but the functions of the political energies of the governments whose armies are engaged. The object of a campaign is invariably a political object, and all its military effort... more...

PART I THE POLITICAL CIRCUMSTANCE The Battle of Tourcoing is one of those actions upon which European history in general is somewhat confused, and English history, in particular, ignorant. That British troops formed part of those who suffered defeat, and that a British commander, the Duke of York, was the chief figure in the reverse, affords no explanation; for the almost exactly parallel case of... more...

A PLEA FOR THE SIMPLER DRAMA It is with the drama as with plastic art and many other things: the plain man feels that he has a right to put in his word, but he is rather afraid that the art is beyond him, and he is frightened by technicalities. After all, these things are made for the plain man; his applause, in the long run and duly tested by time, is the main reward of the dramatist as of the painter... more...