Categories
- Antiques & Collectibles 13
- Architecture 36
- Art 47
- Bibles 22
- Biography & Autobiography 811
- Body, Mind & Spirit 110
- Business & Economics 26
- Computers 4
- Cooking 94
- Crafts & Hobbies 3
- Drama 346
- Education 45
- Family & Relationships 50
- Fiction 11812
- Games 19
- Gardening 17
- Health & Fitness 34
- History 1377
- House & Home 1
- Humor 147
- Juvenile Fiction 1873
- Juvenile Nonfiction 202
- Language Arts & Disciplines 88
- Law 16
- Literary Collections 686
- Literary Criticism 179
- Mathematics 13
- Medical 41
- Music 39
- Nature 179
- Non-Classifiable 1768
- Performing Arts 7
- Periodicals 1453
- Philosophy 62
- Photography 2
- Poetry 896
- Political Science 203
- Psychology 42
- Reference 154
- Religion 488
- Science 126
- Self-Help 61
- Social Science 80
- Sports & Recreation 34
- Study Aids 3
- Technology & Engineering 59
- Transportation 23
- Travel 463
- True Crime 29
Henri Barbusse
Henri Barbusse (1873–1935) was a French novelist and journalist known for his anti-war and socialist views. His most famous work, "Under Fire" ("Le Feu"), published in 1916, is a harrowing depiction of trench warfare during World War I, based on his own experiences as a soldier. Barbusse was also a committed communist, joining the French Communist Party in 1923 and advocating for revolutionary politics in works like "Light" ("Clarté"). Throughout his career, he became a leading voice for pacifism and social justice, influencing both literary and political movements in France.
Author's Books:
Sort by:
by:
Henri Barbusse
CHAPTER I The landlady, Madame Lemercier, left me alone in my room, after a short speech impressing upon me all the material and moral advantages of the Lemercier boarding-house. I stopped in front of the glass, in the middle of the room in which I was going to live for a while. I looked round the room and then at myself. The room was grey and had a dusty smell. I saw two chairs, one of which held my...
more...
by:
Henri Barbusse
I MONT BLANC, the Dent du Midi, and the Aiguille Verte look across at the bloodless faces that show above the blankets along the gallery of the sanatorium. This roofed-in gallery of rustic wood-work on the first floor of the palatial hospital is isolated in Space and overlooks the world. The blankets of fine wool—red, green, brown, or white—from which those wasted cheeks and shining eyes protrude...
more...