Gustave Dore

Gustave Dore
Gustave Doré was a prolific 19th-century French artist, known for his detailed and dramatic engravings and illustrations. He achieved fame for his work on literary classics such as Dante's "Divine Comedy," Cervantes' "Don Quixote," and the Bible. Doré's distinctive style and ability to capture the essence of a narrative made him one of the most influential illustrators of his time.

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THE RAVEN.Once upon a midnight dreary, while I pondered, weak and weary,Over many a quaint and curious volume of forgotten lore,While I nodded, nearly napping, suddenly there came a tapping,As of some one gently rapping, rapping at my chamber door."'T is some visiter," I muttered, "tapping at my chamber door—Only this, and nothing more."Ah, distinctly I remember it was in the... more...

Reader,—I don't know what kind of a preface I must write to find thee courteous, an epithet too often bestowed without a cause. The author of this work has been as sparing of what we call good nature, as most readers are nowadays. So I am afraid his translator and commentator is not to expect much more than has been showed them. What's worse, there are but two sorts of taking prefaces, as... more...

Indefatigable topers, and you, thrice precious martyrs of the smock, give me leave to put a serious question to your worships while you are idly striking your codpieces, and I myself not much better employed. Pray, why is it that people say that men are not such sots nowadays as they were in the days of yore? Sot is an old word that signifies a dunce, dullard, jolthead, gull, wittol, or noddy, one... more...

Most illustrious and thrice valorous champions, gentlemen and others, who willingly apply your minds to the entertainment of pretty conceits and honest harmless knacks of wit; you have not long ago seen, read, and understood the great and inestimable Chronicle of the huge and mighty giant Gargantua, and, like upright faithfullists, have firmly believed all to be true that is contained in them, and have... more...

Good people, most illustrious drinkers, and you, thrice precious gouty gentlemen, did you ever see Diogenes, and cynic philosopher? If you have seen him, you then had your eyes in your head, or I am very much out of my understanding and logical sense. It is a gallant thing to see the clearness of (wine, gold,) the sun. I'll be judged by the blind born so renowned in the sacred Scriptures, who,... more...

Introduction. Had Rabelais never written his strange and marvellous romance, no one would ever have imagined the possibility of its production. It stands outside other things—a mixture of mad mirth and gravity, of folly and reason, of childishness and grandeur, of the commonplace and the out-of-the-way, of popular verve and polished humanism, of mother-wit and learning, of baseness and nobility, of... more...

Chapter 1.I.—Of the Genealogy and Antiquity of Gargantua. I must refer you to the great chronicle of Pantagruel for the knowledge of that genealogy and antiquity of race by which Gargantua is come unto us. In it you may understand more at large how the giants were born in this world, and how from them by a direct line issued Gargantua, the father of Pantagruel: and do not take it ill, if for this... more...

INTRODUCTION What virtues do these stories possess that have kept them alive for so long a time? They have to some degree stimulated and nourished qualities of supreme worth in individual and social life. With the young the struggle against greed and falsehood and pride and cowardice is a very real one, and situations in which these homely, fundamental traits are involved are full of interest and... more...

VOLUME 1 GROTESQUE SKETCHES    

JESUS AND THE WOMAN TAKEN IN ADULTERY. Jesus went unto the mount of Olives. And early in the morning he came again into the temple, and all the people came unto him; and he sat down, and taught them. And the scribes and Pharisees brought unto him a woman taken in adultery; and when they had set her in the midst, they say unto him, Master, this woman was taken in adultery, in the very act. Now Moses in... more...

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