It is an unromantic fact, but one which cannot fail to be of interest at the present time, that the remarkable development of the graver's art in England during the latter part of the eighteenth century was due, in a measure at least, to—Protection. In the middle of the century our trade in engravings was still an import one, English print-sellers being obliged to pay hard cash for the prints they bought in France, since the French took...
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