Categories
- Antiques & Collectibles 13
- Architecture 36
- Art 48
- Bibles 22
- Biography & Autobiography 813
- Body, Mind & Spirit 137
- Business & Economics 28
- Computers 4
- Cooking 94
- Crafts & Hobbies 4
- Drama 346
- Education 45
- Family & Relationships 57
- Fiction 11812
- Games 19
- Gardening 17
- Health & Fitness 34
- History 1377
- House & Home 1
- Humor 147
- Juvenile Fiction 1873
- Juvenile Nonfiction 202
- Language Arts & Disciplines 88
- Law 16
- Literary Collections 686
- Literary Criticism 179
- Mathematics 13
- Medical 41
- Music 40
- Nature 179
- Non-Classifiable 1768
- Performing Arts 7
- Periodicals 1453
- Philosophy 63
- Photography 2
- Poetry 896
- Political Science 203
- Psychology 42
- Reference 154
- Religion 498
- Science 126
- Self-Help 79
- Social Science 80
- Sports & Recreation 34
- Study Aids 3
- Technology & Engineering 59
- Transportation 23
- Travel 463
- True Crime 29
Gayle Porter Hoskins
Gayle Porter Hoskins (1887–1962) was an American illustrator and painter known for his work in pulp magazines and adventure fiction during the early 20th century. He illustrated for publications like "The Saturday Evening Post" and "Harper's Weekly," creating dynamic covers and illustrations for westerns, crime, and romance stories. Hoskins was particularly recognized for his work in magazines like "Redbook" and "The Blue Book." In addition to his commercial art, he also focused on historical and western-themed paintings, and his work helped shape the visual aesthetic of American storytelling in that era.
Author's Books:
Sort by:
“ME—SMITH” A man on a tired gray horse reined in where a dim cattle-trail dropped into a gulch, and looked behind him. Nothing was in sight. He half closed his eyes and searched the horizon. No, there was nothing—just the same old sand and sage-brush, hills, more sand and sage-brush, and then to the west and north the spur of the Rockies, whose jagged peaks were white with a fresh fall of snow....
more...
The "Canuck" That Saved Flour Gold "A fellow must have something against himself—he certainly must—to live down here year in and year out and never do a lick of work on a trail like this, that he's usin' constant. Gettin' off half a dozen times to lift the front end of your horse around a point, and then the back end—there's nothin' to it!" Grumbling to...
more...
CHAPTER I "How serene the joy,when things that are made for each other meetand are joined;but ah,—how rarely they meet and are joined, the thingsthat are made for each other!"—SAO-NAN. When Peter Moore entered the static-room, picked his way swiftly and unnoticingly across the littered floor, and jerked open the frosted glass door of the chief operator's office, the assembled operators...
more...