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Fannie Hurst
Fannie Hurst (1889–1968) was an American author known for her prolific output of short stories, novels, and plays, often focusing on themes of social justice, women's issues, and class disparities. Her most famous works include "Imitation of Life" (1933), which was adapted into two successful films, and "Back Street" (1931). Hurst was also an active social advocate, supporting causes such as racial equality and women's rights. Her vivid storytelling and exploration of emotional depth made her one of the most popular and influential writers of her time.
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Fannie Hurst
I BITTER-SWEET Much of the tragical lore of the infant mortality, the malnutrition, and the five-in-a-room morality of the city's poor is written in statistics, and the statistical path to the heart is more figurative than literal. It is difficult to write stylistically a per-annum report of 1,327 curvatures of the spine, whereas the poor specific little vertebra of Mamie O'Grady, daughter to...
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Fannie Hurst
HUMORESQUE On either side of the Bowery, which cuts through like a drain to catch its sewage, Every Man's Land, a reeking march of humanity and humidity, steams with the excrement of seventeen languages, flung in patois from tenement windows, fire escapes, curbs, stoops, and cellars whose walls are terrible and spongy with fungi. By that impregnable chemistry of race whereby the red blood of the...
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Fannie Hurst
IN the Knockerbeck Hotel there are various parlors; Pompeian rooms lined in marble and pillared in chaste fluted columns; Louis Quinze corners, gold-leafed and pink-brocaded, principally furnished with a spindly-legged Vernis-Martin cabinet and a large French clock in the form of a celestial sphere surmounted by a gold cupid. There are high-ceilinged rendezvous rooms, with six arm and two straight...
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Fannie Hurst
CHAPTER I When Lilly Becker eked out with one hand that most indomitable of pianoforte selections, Rubinstein's "Melody in F," her young mind had a habit of transcending itself into some such illusory realm as this: Springtime seen lacily through a phantasmagoria of song. A very floral sward. Fountains that tossed up coloratura bubbles of sheerest aria and a sort of Greek frieze of youth...
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Fannie Hurst
SHE WALKS IN BEAUTY By that same architectural gesture of grief which caused Jehan at Agra to erect the Taj Mahal in memory of a dead wife and a cold hearthstone, so the Bon Ton hotel, even to the pillars with red-freckled monoliths and peacock-backed lobby chairs, making the analogy rather absurdly complete, reared its fourteen stories of "elegantly furnished suites, all the comforts and none of...
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