Categories
- Antiques & Collectibles 13
- Architecture 36
- Art 48
- Bibles 22
- Biography & Autobiography 813
- Body, Mind & Spirit 137
- Business & Economics 28
- Computers 4
- Cooking 94
- Crafts & Hobbies 4
- Drama 346
- Education 45
- Family & Relationships 57
- Fiction 11812
- Games 19
- Gardening 17
- Health & Fitness 34
- History 1377
- House & Home 1
- Humor 147
- Juvenile Fiction 1873
- Juvenile Nonfiction 202
- Language Arts & Disciplines 88
- Law 16
- Literary Collections 686
- Literary Criticism 179
- Mathematics 13
- Medical 41
- Music 40
- Nature 179
- Non-Classifiable 1768
- Performing Arts 7
- Periodicals 1453
- Philosophy 63
- Photography 2
- Poetry 896
- Political Science 203
- Psychology 42
- Reference 154
- Religion 498
- Science 126
- Self-Help 79
- Social Science 80
- Sports & Recreation 34
- Study Aids 3
- Technology & Engineering 59
- Transportation 23
- Travel 463
- True Crime 29
Charles T. Dazey
Charles T. Dazey (1855–1938) was an American playwright and screenwriter known for his contributions to early 20th-century theater and silent films. One of his most famous plays is "In Old Kentucky" (1893), which was a long-running success and adapted into several film versions. Dazey also wrote for silent films, including the screenplay for "The Common Law" (1923). His works often reflected themes of rural life and American ideals, making him a significant figure in popular American drama of his time.
Author's Books:
Sort by:
by:
Charles T. Dazey
CHAPTER I Herr Kreutzer was a mystery to his companions in the little London orchestra in which he played, and he kept his daughter, Anna, in such severe seclusion that they little more than knew that she existed and was beautiful. Not far from Soho Square, they lived, in that sort of British lodgings in which room-rental carries with it the privilege of using one hole in the basement-kitchen range on...
more...
by:
Charles T. Dazey
CHAPTER I. She was coming, singing, down the side of Nebo Mountain—"Old Nebo"—mounted on an ox. Sun-kissed and rich her coloring; her flowing hair was like spun light; her arms, bare to the elbows and above, might have been the models to drive a sculptor to despair, as their muscles played like pulsing liquid beneath the tinted, velvet skin of wrists and forearms; her short skirt bared her...
more...