General Books

THE OLD ARM-CHAIR. I love it, I love it; and who shall dare To chide me for loving that old arm-chair? I've cherished it long as a sainted prize; I've bedewed it with tears and embalmed it with sighs 'Tis bound by a thousand bands to my heart; Not a tie will break, not a link will start. Would ye learn the spell?—a mother sat there: And a sacred thing is that old arm-chair. In... more...

Recent inquiries into the life of Henry Vaughan have added but little to the information already contained in the memoirs of Mr. Lyte and Dr. Grosart. I have, however, been enabled to put together a few notes on this somewhat obscure subject, which may be taken as supplementary to Mr. Beeching's Introduction in Vol. I. It will be well to preface them by reprinting the account of Anthony à Wood,... more...

PREFACE To the readers of this poem an apology is needed for affixing thereto a praem. Some friends of mine have been plaguing me beyond the restrictive line of Patience for the true cause of conceiving the accompanying collection of words, balderdash or what you will, some even asseverating with the eruditeness of an Aristole that it was a nebulous idea, an embryonic form of thought hibernating within... more...

DEDICATION Bob Southey! You're a poet, poet laureate,And representative of all the race.Although 'tis true that you turned out a Tory atLast, yours has lately been a common case.And now my epic renegade, what are ye atWith all the lakers, in and out of place?A nest of tuneful persons, to my eyeLike four and twenty blackbirds in a pye, Which pye being opened they began to sing'(This old... more...

INTRODUCTION    Piping down the valleys wild,     Piping songs of pleasant glee,   On a cloud I saw a child,     And he laughing said to me:    "Pipe a song about a Lamb!"     So I piped with merry cheer.   "Piper, pipe that song again;"     So I piped: he wept to hear.    "Drop thy pipe, thy happy pipe;     Sing thy songs of happy... more...

MAY-DAY.   Daughter of Heaven and Earth, coy Spring,With sudden passion languishing,Maketh all things softly smile,Painteth pictures mile on mile,Holds a cup with cowslip-wreaths,Whence a smokeless incense breathes.Girls are peeling the sweet willow,Poplar white, and Gilead-tree,And troops of boysShouting with whoop and hilloa,And hip, hip three times three.The air is full of whistlings bland;What... more...

CANTO I IN the midway of this our mortal life,I found me in a gloomy wood, astrayGone from the path direct: and e'en to tellIt were no easy task, how savage wildThat forest, how robust and rough its growth,Which to remember only, my dismayRenews, in bitterness not far from death.Yet to discourse of what there good befell,All else will I relate discover'd there.How first I enter'd it I... more...

The Hill People.Their steps are light and exceedingly fleet:They pass me by in the hurrying street.I pause to look at a window’s show—From the white-flecked alp the hill winds blow—And all at once it has passed me there,Lilting back to the land of the air,Back to the land of the great white stills:Is it only the wind that comes down from the hills?———Was it Pikes Peak Pixie or Cheyenne... more...

THREE HEAVY HUSBANDS I He had a high nose. He looked at one over the collar, so to speak. His regard was very assured, and his speech was that short bundle of monosyllables which the subaltern throws at the orderly. He had never been questioned, and, the precedent being absent, he had never questioned himself. Why should he? We live by question and answer, but we do not know the reply to anything until... more...

BILLY KHAKI MARCHING somewhat out of order   when the band is cock-a-hoop,There's a lilting kind of magic in the swagger   of the troop,Swinging all aboard the steamer with her   nose toward the sea.What is calling, Billy Khaki, that you're foot-   ing it so free? Though his lines are none too level,   And he lacks a bit of style.And he's swanking like the devil   Where... more...