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BED IN SUMMER In winter I get up at night And dress by yellow candle-light. In summer, quite the other way,— I have to go to bed by day. I have to go to bed and see The birds still hopping on the tree, Or hear the grown-up people’s feet Still going past me in the street. And does it not seem hard to you, When all the sky is clear and blue, And I should like so much to play, To have to go to bed by... more...

Under the window is my garden, Where sweet, sweet flowers grow; And in the pear-tree dwells a robin, The dearest bird I know. Tho' I peep out betimes in the morning, Still the flowers are up the first; Then I try and talk to the robin, And perhaps he'd chat—if he durst.13 Will you be my little wife, If I ask you? Do! I'll buy you such a Sunday frock, A nice umbrella, too. And you shall... more...

by: Anonymous
HARRY'S HORN-BOOK. BOY CAT. DOG. JUG. COW. PIG. BED. FOX. COCK. DUCK. MILL. GOAT. STAG. ROSE. HARE. BEAR. LAMP. HOUSE. CLOCK. PEARS. GOOSE. HORSE. SHEEP. CHAIR. KNIFE. FORK. SPOON. RAKE, HOE, AND SPADE. GRAPES. BRIDGE. CHURCH. LION. SOFA. APPLE. BASIN. TABLE. PANSY. ROBIN. CAMEL. DONKEY. PIGEON. MONKEY. TURKEY. RABBIT. WAGGON. TEAPOT. SPARROW. FUSCHIA. PHEASANT. FILBERTS. WOODCOCK. COFFEE POT.... more...

TO THE MOTHER "A Court as of angels, A public not to be bribed, Not to be entreated, Not to be overawed." Such is the audience—in long clothes or short frocks, in pinafores or kilts, or in the brief trousers that bespeak the budding man—such is the crowing, laughing court, the toddling public that awaits these verses. Every home, large or small, poor or rich, that has a child in it, is a... more...

A JOLLY BOOK How can they put in black and whiteWhat little children think at night,When lights are out and prayers are said,And you are all tucked up in bed? Such funny dreams go dancing throughYour head, of things nobody knew,Or saw, or ever half believes!—They're all inside these singing leaves. And little children laugh and goA-ring-a-round-a-rosy-O;And birds sing gay—you'd almost... more...

SPRING To what purpose, April, do you return again?Beauty is not enough.You can no longer quiet me with the rednessOf little leaves opening stickily.I know what I know.The sun is hot on my neck as I observeThe spikes of the crocus.The smell of the earth is good.It is apparent that there is no death.But what does that signify?Not only under ground are the brains of menEaten by maggots,Life in itselfIs... more...

Fires of Driftwood ON what long tidesDo you drift to my fire,You waifs of strange waters?From what far seas,What murmurous sands,What desolate beaches—Flotsam of those glories that were ships! I gather you,Bitter with salt,Sun-bleached, rock-scarred, moon-harried,Fuel for my fire. You are Pride’s end.Through all to-morrows you are yesterday.You are waste,You are ruin,For where is that which once... more...

RELIGION AND POETRY BY WASHINGTON GLADDEN. The time is not long past when the copulative in that title might have suggested to some minds an antithesis,—as acid and alkali, or heat and cold. That religion could have affiliation with anything so worldly as poetry would have seemed to some pious people a questionable proposition. There were the Psalms, in the Old Testament, to be sure; and the minister... more...

INTRODUCTION. All civilized nations possessing a history which they contemplate with pride endeavour to present that history in an epic form. In their initial stages of culture the vehicles of expression are ballads like the constituents of the Spanish Romanceros and chronicles like Joinville’s and Froissart’s. With literary refinement comes the distinct literary purpose, and the poet appears who... more...

MORNING IN KANSAS There are lands beyond the ocean which are gray beneath their years, where a hundred generations learned to sow and reap and spin; where the sons of Shem and Japhet wet the furrow with their tears—and the noontide is departed, and the night is closing in. Long ago the shadows lengthened in the lands across the sea, and the dusk is now enshrouding regions nearer home, alas! There are... more...

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