General Books

embellished with designs.Young Master Pig you here may seeUpon his tender Mother’s kneeNo longer he with patience sucksFor See, he’s cutting both his tusks.Behold him now in Go Cart safely tiedHis pretty feet go trotting side by sideOld Granny smiles and grunting seems to say“Ce petit prodige c’est moi qui l’ai fait.”To Master Goat next Pig is sentWhose learning is most excellentBut all his... more...

THE OLD ARM-CHAIR. I love it, I love it; and who shall dare To chide me for loving that old arm-chair? I've cherished it long as a sainted prize; I've bedewed it with tears and embalmed it with sighs 'Tis bound by a thousand bands to my heart; Not a tie will break, not a link will start. Would ye learn the spell?—a mother sat there: And a sacred thing is that old arm-chair. In... more...

BILLY KHAKI MARCHING somewhat out of order   when the band is cock-a-hoop,There's a lilting kind of magic in the swagger   of the troop,Swinging all aboard the steamer with her   nose toward the sea.What is calling, Billy Khaki, that you're foot-   ing it so free? Though his lines are none too level,   And he lacks a bit of style.And he's swanking like the devil   Where... more...

CANTO V Now had I left those spirits, and pursuedThe steps of my Conductor, when beheldPointing the finger at me one exclaim'd:"See how it seems as if the light not shoneFrom the left hand of him beneath, and he,As living, seems to be led on."  Mine eyesI at that sound reverting, saw them gazeThrough wonder first at me, and then at meAnd the light broken underneath, by turns."Why are... more...

ARGUMENT After much struggling and loss in love and in the world of man, the protagonist throws in his lot with a woman who is already married. Together they go into another country, she perforce leaving her children behind. The conflict of love and hate goes on between the man and the woman, and between these two and the world around them, till it reaches some sort of conclusion, they transcend into... more...

How Lisa loved the King. Six hundred years ago, in Dante’s time,Before his cheek was furrowed by deep rhyme;When Europe, fed afresh from Eastern story,Was like a garden tangled with the gloryOf flowers hand-planted and of flowers air-sown,Climbing and trailing, budding and full-blown,Where purple bells are tossed amid pink stars,And springing blades, green troops in innocent wars,Crowd every shady... more...

In the Factory Oh, here in the shop the machines roar so wildly,That oft, unaware that I am, or have been,I sink and am lost in the terrible tumult;And void is my soul… I am but a machine.I work and I work and I work, never ceasing;Create and create things from morning till e'en;For what?—and for whom—Oh, I know not! Oh, ask not!Who ever has heard of a conscious machine? No, here is no... more...

CANTO VII "AH me! O Satan! Satan!" loud exclaim'dPlutus, in accent hoarse of wild alarm:And the kind sage, whom no event surpris'd,To comfort me thus spake: "Let not thy fearHarm thee, for power in him, be sure, is noneTo hinder down this rock thy safe descent."Then to that sworn lip turning, "Peace!"  he cried, "Curs'd wolf! thy fury inward on thyselfPrey,... more...

INTRODUCTION WILLIAM CORY (Johnson) was born at Torrington in Devonshire, on January 9, 1823. He was the son of Charles William Johnson, a merchant, who retired at the early age of thirty, with a modest competence, and married his cousin, Theresa Furse, of Halsdon, near Torrington, to whom he had long been attached. He lived a quiet, upright, peaceable life at Torrington, content with little, and... more...

Foreword I've tinkered at my bits of rhymesIn weary, woeful, waiting times;In doleful hours of battle-din,Ere yet they brought the wounded in;Through vigils of the fateful night,In lousy barns by candle-light;In dug-outs, sagging and aflood,On stretchers stiff and bleared with blood;By ragged grove, by ruined road,By hearths accurst where Love abode;By broken altars, blackened shrinesI've... more...