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NOTE The motif of the story embodied in the following poem was crudely outlined in a brief sketch printed in an early collection of the authors verse, and subsequently cancelled for a purpose not until now accomplished. Wyndham Towers is not to be confused with this discarded sketch, the text of which has furnished only a phrase, or an indirect suggestion, here and there. That the writer's method,... more...

THREE HEAVY HUSBANDS I He had a high nose. He looked at one over the collar, so to speak. His regard was very assured, and his speech was that short bundle of monosyllables which the subaltern throws at the orderly. He had never been questioned, and, the precedent being absent, he had never questioned himself. Why should he? We live by question and answer, but we do not know the reply to anything until... more...

by: Aristotle
In the tenth book of the Republic, when Plato has completed his final burning denunciation of Poetry, the false Siren, the imitator of things which themselves are shadows, the ally of all that is low and weak in the soul against that which is high and strong, who makes us feed the things we ought to starve and serve the things we ought to rule, he ends with a touch of compunction: 'We will give... more...

CANTO I His glory, by whose might all things are mov'd,Pierces the universe, and in one partSheds more resplendence, elsewhere less.  In heav'n,That largeliest of his light partakes, was I,Witness of things, which to relate againSurpasseth power of him who comes from thence;For that, so near approaching its desireOur intellect is to such depth absorb'd,That memory cannot follow.... more...

PREFACE To the readers of this poem an apology is needed for affixing thereto a praem. Some friends of mine have been plaguing me beyond the restrictive line of Patience for the true cause of conceiving the accompanying collection of words, balderdash or what you will, some even asseverating with the eruditeness of an Aristole that it was a nebulous idea, an embryonic form of thought hibernating within... more...

BOOK I. INSCRIPTIONS One's-self I sing, a simple separate person,Yet utter the word Democratic, the word En-Masse. Of physiology from top to toe I sing,Not physiognomy alone nor brain alone is worthy for the Muse, I saythe Form complete is worthier far,The Female equally with the Male I sing. Of Life immense in passion, pulse, and power,Cheerful, for freest action form'd under the laws... more...

THE sun withdrew his last pale ray,And clos’d the short and chearless day;Loud blew the wind, and rain and sleetAgainst the cottage casement beat.The busy housewife trimm’d her fire,And drew the oaken settle nigher,[p6]And welcom’d home her own good manTo his clean hearth, his pipe, and can;For Homespun and his bustling wifeWere honest folks in humble life,Who liv’d contented with their lot,And... more...

INTRODUCTION    Piping down the valleys wild,     Piping songs of pleasant glee,   On a cloud I saw a child,     And he laughing said to me:    "Pipe a song about a Lamb!"     So I piped with merry cheer.   "Piper, pipe that song again;"     So I piped: he wept to hear.    "Drop thy pipe, thy happy pipe;     Sing thy songs of happy... more...

The Love Song of J. Alfred Prufrock S'io credesse che mia risposta fosseA persona che mai tornasse al mondo,Questa fiamma staria senza piu scosse.Ma perciocche giammai di questo fondoNon torno vivo alcun, s'i'odo il vero,Senza tema d'infamia ti rispondo. Let us go then, you and I,When the evening is spread out against the skyLike a patient etherized upon a table;Let us go, through... more...

Since the publication of Edward Fitzgerald's classic translation of the Rubaiyat in 1851 - or rather since its general popularity several years later - poets minor and major have been rendering the sincerest form of flattery to the genius of the Irishman who brought Persia into the best regulated families. Unfortunately there was only one Omar and there were scores of imitators who, in order to... more...