General Books

EMILY BRONTË. There are, perhaps, few tests of excellence so sure as the popular verdict on a work of art a hundred years after its accomplishment. So much time must be allowed for the swing and rebound of taste, for the despoiling of tawdry splendours and to permit the work of art itself to form a public capable of appreciating it. Such marvellous fragments reach us of Elizabethan praises; and we... more...

PREFACE In approaching "The Historical Nights' Entertainment" I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events. I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events... more...

INTRODUCTORY. For the investigation of art in its early stages and in its widest sense—there is probably no fairer field than that afforded by aboriginal America, ancient and modern. At the period of discovery, art at a number of places on the American continent seems to have been developing surely and steadily, through the force of the innate genius of the race, and the more advanced nations were... more...

Gentle Reader, If you look to move through this little volume in a direct line, after the present fashion of Railway Travelling, you will be signally disappointed.  Nothing can well be more circuitous than the route proposed to you, nor more eccentric than your present guide.  This book aspires to the precision of neither Patterson nor Bradshaw.  Let men “bloody with spurring, fiery hot with... more...

ENGLISH A COMPOSITE LANGUAGE “A very slight acquaintance with the history of our own language will teach us that the speech of Chaucer’s age is not the speech of Skelton’s, that there is a great difference between the language under Elizabeth and that under Charles the First, between that under Charles the First and Charles the Second, between that under Charles the Second and Queen Anne; that... more...

I: A Word about My Aunt Like Adam, our first conspicuous ancestor, I must begin, and lay the blame upon a woman; I am glad to recognize that I differ from the father of my sex in no important particular, being as manlike as most of his sons. Therefore it is the woman, my Aunt Carola, who must bear the whole reproach of the folly which I shall forthwith confess to you, since she it was who put it into... more...

PREFACE The following pages give in general outline the century story of McGill University. They have no pretension to the title of detailed History, for it has been possible to chronicle only the circumstances which shaped the University in its infancy and the important events of its succeeding years. The story is one of struggle and disappointment, of discouragement and controversy, and of ultimate... more...

I THE GOVERNMENT OF SUBJECT RACES "The Edinburgh Review," January 1908 The "courtly Claudian," as Mr. Hodgkin, in his admirable and instructive work, calls the poet of the Roman decadence, concluded some lines which have often been quoted as applicable to the British Empire, with the dogmatic assertion that no limit could be assigned to the duration of Roman sway. Nec terminus unquam... more...

INTRODUCTIONItis not without diffidence that the editor offersThe True Story Bookto children. We have now given them three fairy books, and their very kind and flattering letters to the editor prove, not only that they like the three fairy books, but that they clamour for more. What disappointment, then, to receive a volume full of adventures which actually happened to real people! There is not a... more...

THE FIRST DISCOVERY OF AMERICA Let me begin this lecture with a scene in the North Atlantic 863 years since. “Bjarne Grimolfson was blown with his ship into the Irish Ocean; and there came worms and the ship began to sink under them.  They had a boat which they had payed with seals’ blubber, for that the sea-worms will not hurt.  But when they got into the boat they saw that it would not hold... more...