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Preface The kindly reception accorded to the first volume of the Historical Nights Entertainment, issued in December of 1917, has encouraged me to prepare the second series here assembled. As in the case of the narratives that made up the first volume, I set out again with the same ambitious aim of adhering scrupulously in every instance to actual, recorded facts; and once again I find it desirable at... more...

CHAPTER I THE EXPLANATION OF MATERIAL CHANGES GIVEN BY THE GREEK THINKERS. For thousands of years before men had any accurate and exact knowledge of the changes of material things, they had thought about these changes, regarded them as revelations of spiritual truths, built on them theories of things in heaven and earth (and a good many things in neither), and used them in manufactures, arts, and... more...

INTRODUCTION. The Editor of this little volume does not deem it incumbent upon him to explain in what way the author’s manuscript came into his possession. He hopes it may be enough for him to say, that the writer believed himself to be the only person whose memory retained most of the incidents and anecdotes herein recorded; and a long and familiar acquaintance with his character enables the Editor... more...

CHAPTER I. THE BIRTH OF THE TELEPHONE In that somewhat distant year 1875, when the telegraph and the Atlantic cable were the most wonderful things in the world, a tall young professor of elocution was desperately busy in a noisy machine-shop that stood in one of the narrow streets of Boston, not far from Scollay Square. It was a very hot afternoon in June, but the young professor had forgotten the heat... more...

IDon't let your poor littleLizzie be blamed!Thackeray.  'Everyone has heard of the case of Elizabeth Canning,' writes Mr. John Paget; and till recently I agreed with him. But five or six years ago the case of Elizabeth Canning repeated itself in a marvellous way, and then but few persons of my acquaintance had ever heard of that mysterious girl. The recent case, so strange a parallel to... more...

USIC was written in a scrawl impossible to decipher up to the thirteenth century, when Plain Song (Plain Chant) made its appearance in square and diamond-shaped notes. The graduals and introits had not yet been reduced to bars, but the songs of the troubadours appear to have been in bars of three beats with the accent on the feeble note of each bar. However, the theory that this bar of three beats or... more...

INTRODUCTION. § 1. Industrial Science, its Standpoint and Methods of Advance. § 2. Capital as Factor in Modern Industrial Changes. § 3. Place of Machinery in Evolution of Capitalism. § 4. The Monetary Aspect of Industry. § 5. The Literary Presentment of Organic Movement. § 1. Science is ever becoming more and more historical in the sense that it becomes more studiously anxious to show that the... more...

PREFACE. There were no prefatory remarks to the first and second editions of the following work. It was thought, when the printer made his final call for copy, that a preface might be written with more propriety if the public should indicate sufficient interest in the book to make its improvement and enlargement necessary. That interest, owing to the theme rather than the treatment, has not been... more...

INTRODUCTION The enclosure movement—the process by which the common-field system was broken down and replaced by a system of unrestricted private use—involved economic and social changes which make it one of the important subjects in English economic history. When it began, the arable fields of a community lay divided in a multitude of strips separated from each other only by borders of unplowed... more...

Contrary to the advice of my friends, who caution me to avoid all appearance of singularity, I venture upon introducing a practice, the expediency of which I will submit to the judgment of the reader. It is one which has been adopted by musicians for more than a century—to the great convenience of all who are fond of music—and I observe that within the last few years two such distinguished painters... more...