General Books

INTRODUCTION. While this work does not pretend to be a history, it will yet present many historical facts. Its object is to show from old newspapers, which are not accessible to all, such items and comments upon a variety of subjects as might be supposed to amuse or instruct both old and young. It is not the easy thing that many imagine to examine, read, and select from a vast number of newspapers such... more...

INAUGURAL LECTURE ON THE STUDY OF HISTORY Delivered at Cambridge, June 1895 FELLOW STUDENTS—I look back today to a time before the middle of the century, when I was reading at Edinburgh and fervently wishing to come to this University. At three colleges I applied for admission, and, as things then were, I was refused by all. Here, from the first, I vainly fixed my hopes, and here, in a happier hour,... more...

I DESIRE this evening to give you some account of the life and labours of a very noble Englishman—William Harvey. William Harvey was born in the year 1578, and as he lived until the year 1657, he very nearly attained the age of 80. He was the son of a small landowner in Kent, who was sufficiently wealthy to send this, his eldest son, to the University of Cambridge; while he embarked the others in... more...

Gentle Reader, If you look to move through this little volume in a direct line, after the present fashion of Railway Travelling, you will be signally disappointed.  Nothing can well be more circuitous than the route proposed to you, nor more eccentric than your present guide.  This book aspires to the precision of neither Patterson nor Bradshaw.  Let men “bloody with spurring, fiery hot with... more...

INTRODUCTORY. For the investigation of art in its early stages and in its widest sense—there is probably no fairer field than that afforded by aboriginal America, ancient and modern. At the period of discovery, art at a number of places on the American continent seems to have been developing surely and steadily, through the force of the innate genius of the race, and the more advanced nations were... more...

PREFACE In approaching "The Historical Nights' Entertainment" I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events. I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events... more...

THE BARBER'S POLE n most instances the old signs which indicated the callings of shopkeepers have been swept away. Indeed, the three brass balls of the pawn-broker and the pole of the barber are all that are left of signs of the olden time. Round the barber's pole gather much curious fact and fiction. So many suggestions have been put forth as to its origin and meaning that the student of... more...

PREFACE It is very difficult to write a preface to a work which is expressly intended as a revelation of the faith of the writer. The successive stages of thought and emotion that have been passed through are still too near, and one feels too deeply. I have made several futile attempts to concentrate into a short note the Truths about Woman that I have tried to convey in my book. I find it impossible... more...

I. THE NEW ECONOMIC LIFE 1. The Historic Present The knell of a dying order is tolling. Its keynote is despair. Gaunt hunger pulls at the bell-rope, while dazed humanity listens, bewildered and afraid. Uncertainty and a sense of futility have gripped the world. They are manifesting themselves in unrest, disillusionment, the abandonment of ideals, opportunism, and a tragic concentration on the life of... more...

I. AS TO HUMANNESS. Let us begin, inoffensively, with sheep. The sheep is a beast with which we are all familiar, being much used in religious imagery; the common stock of painters; a staple article of diet; one of our main sources of clothing; and an everyday symbol of bashfulness and stupidity. In some grazing regions the sheep is an object of terror, destroying grass, bush and forest by omnipresent... more...