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Rafael Sabatini
Preface The kindly reception accorded to the first volume of the Historical Nights Entertainment, issued in December of 1917, has encouraged me to prepare the second series here assembled. As in the case of the narratives that made up the first volume, I set out again with the same ambitious aim of adhering scrupulously in every instance to actual, recorded facts; and once again I find it desirable at...
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INTRODUCTION. While this work does not pretend to be a history, it will yet present many historical facts. Its object is to show from old newspapers, which are not accessible to all, such items and comments upon a variety of subjects as might be supposed to amuse or instruct both old and young. It is not the easy thing that many imagine to examine, read, and select from a vast number of newspapers such...
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I. AS TO HUMANNESS. Let us begin, inoffensively, with sheep. The sheep is a beast with which we are all familiar, being much used in religious imagery; the common stock of painters; a staple article of diet; one of our main sources of clothing; and an everyday symbol of bashfulness and stupidity. In some grazing regions the sheep is an object of terror, destroying grass, bush and forest by omnipresent...
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HISTORY My theme is history. It is an old subject, which has been discoursed about since Herodotus, and I should be vain indeed if I flattered myself that I could say aught new concerning the methods of writing it, when this has for so long a period engaged the minds of so many gifted men. Yet to a sympathetic audience, to people who love history, there is always the chance that a fresh treatment may...
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PREFACE This book is not intended to be a full or detailed history of animal morphology: a complete account is given neither of morphological discoveries nor of morphological theories. My aim has been rather to call attention to the existence of diverse typical attitudes to the problems of form, and to trace the interplay of the theories that have arisen out of them. The main currents of morphological...
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ADVERTISEMENT. What I have here to say is rather in the nature of an apology than of a preface or advertisement. The very title of a Treatise upon the art of dancing by a dancing-master, implicitly threatens so much either of the exageration of the profession, or of the recommendation of himself, and most probably of both, that it cannot be improper for me to bespeak the reader’s favorable precaution...
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VOLUME I [p 2 is blank] p 3 TRANSLATOR'S PREFACE. ———————————- I CAN not more appropriately introduce the Cosmos than by presenting a brief sketch of the life of its illustrious author.* While the name of Alexander von Humboldt is familiar to every one, few, perhaps, are aware of the peculiar circumstances of his scientific career and of the extent of his labors in almost...
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INTRODUCTION We can distinguish three kinds of astronomy, each with a different origin and history, but all mutually dependent, and composing, in their fundamental unity, one science. First in order of time came the art of observing the returns, and measuring the places, of the heavenly bodies. This was the sole astronomy of the Chinese and Chaldeans; but to it the vigorous Greek mind added a highly...
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George Turner
CHAPTER I. Position Of The Islands—Early Visitors And Traditionary Origin. Samoa is the native name of the group of volcanic islands in central Polynesia long known as the "Navigators Islands." They are situated about 3000 miles from Sydney, and stand on the charts between the parallels of 13° and 15° south latitude, and 168° and 173° west longitude. The mountains of Savaii, one of which...
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CHAPTER I. THE BIRTH OF THE TELEPHONE In that somewhat distant year 1875, when the telegraph and the Atlantic cable were the most wonderful things in the world, a tall young professor of elocution was desperately busy in a noisy machine-shop that stood in one of the narrow streets of Boston, not far from Scollay Square. It was a very hot afternoon in June, but the young professor had forgotten the heat...
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