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INTRODUCTORY. For the investigation of art in its early stages and in its widest sense—there is probably no fairer field than that afforded by aboriginal America, ancient and modern. At the period of discovery, art at a number of places on the American continent seems to have been developing surely and steadily, through the force of the innate genius of the race, and the more advanced nations were...
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THE INN-YARDS BEFORE the building of regular playhouses the itinerant troupes of actors were accustomed, except when received into private homes, to give their performances in any place that chance provided, such as open street-squares, barns, town-halls, moot-courts, schoolhouses, churches, and—most frequently of all, perhaps—the yards of inns. These yards, especially those of carriers' inns,...
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CHAPTER I FREEDOM OF THOUGHT AND THE FORCES AGAINST IT IT is a common saying that thought is free. A man can never be hindered from thinking whatever he chooses so long as he conceals what he thinks. The working of his mind is limited only by the bounds of his experience and the power of his imagination. But this natural liberty of private thinking is of little value. It is unsatisfactory and even...
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Andrew Lang
IDon't let your poor littleLizzie be blamed!Thackeray. 'Everyone has heard of the case of Elizabeth Canning,' writes Mr. John Paget; and till recently I agreed with him. But five or six years ago the case of Elizabeth Canning repeated itself in a marvellous way, and then but few persons of my acquaintance had ever heard of that mysterious girl. The recent case, so strange a parallel to...
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I. AS TO HUMANNESS. Let us begin, inoffensively, with sheep. The sheep is a beast with which we are all familiar, being much used in religious imagery; the common stock of painters; a staple article of diet; one of our main sources of clothing; and an everyday symbol of bashfulness and stupidity. In some grazing regions the sheep is an object of terror, destroying grass, bush and forest by omnipresent...
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ADVERTISEMENT. What I have here to say is rather in the nature of an apology than of a preface or advertisement. The very title of a Treatise upon the art of dancing by a dancing-master, implicitly threatens so much either of the exageration of the profession, or of the recommendation of himself, and most probably of both, that it cannot be improper for me to bespeak the reader’s favorable precaution...
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Rafael Sabatini
Preface The kindly reception accorded to the first volume of the Historical Nights Entertainment, issued in December of 1917, has encouraged me to prepare the second series here assembled. As in the case of the narratives that made up the first volume, I set out again with the same ambitious aim of adhering scrupulously in every instance to actual, recorded facts; and once again I find it desirable at...
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INTRODUCTION. While this work does not pretend to be a history, it will yet present many historical facts. Its object is to show from old newspapers, which are not accessible to all, such items and comments upon a variety of subjects as might be supposed to amuse or instruct both old and young. It is not the easy thing that many imagine to examine, read, and select from a vast number of newspapers such...
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ENGLISH A COMPOSITE LANGUAGE “A very slight acquaintance with the history of our own language will teach us that the speech of Chaucer’s age is not the speech of Skelton’s, that there is a great difference between the language under Elizabeth and that under Charles the First, between that under Charles the First and Charles the Second, between that under Charles the Second and Queen Anne; that...
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HISTORY My theme is history. It is an old subject, which has been discoursed about since Herodotus, and I should be vain indeed if I flattered myself that I could say aught new concerning the methods of writing it, when this has for so long a period engaged the minds of so many gifted men. Yet to a sympathetic audience, to people who love history, there is always the chance that a fresh treatment may...
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