CHAPTER I THE EXPLANATION OF MATERIAL CHANGES GIVEN BY THE GREEK THINKERS. For thousands of years before men had any accurate and exact knowledge of the changes of material things, they had thought about these changes, regarded them as revelations of spiritual truths, built on them theories of things in heaven and earth (and a good many things in neither), and used them in manufactures, arts, and handicrafts, especially in one very curious... more...

Preface The kindly reception accorded to the first volume of the Historical Nights Entertainment, issued in December of 1917, has encouraged me to prepare the second series here assembled. As in the case of the narratives that made up the first volume, I set out again with the same ambitious aim of adhering scrupulously in every instance to actual, recorded facts; and once again I find it desirable at the outset to reveal how far the... more...

PREFACE In approaching "The Historical Nights' Entertainment" I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events. I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story... more...

INTRODUCTION. § 1. Industrial Science, its Standpoint and Methods of Advance. § 2. Capital as Factor in Modern Industrial Changes. § 3. Place of Machinery in Evolution of Capitalism. § 4. The Monetary Aspect of Industry. § 5. The Literary Presentment of Organic Movement. § 1. Science is ever becoming more and more historical in the sense that it becomes more studiously anxious to show that the laws or... more...

This history of woodworking hand tools from the 17th to the 20th century is one of a very gradual evolution of tools through generations of craftsmen. As a result, the sources of changes in design are almost impossible to ascertain. Published sources, moreover, have been concerned primarily with the object shaped by the tool rather than the tool itself. The resulting scarcity of information is somewhat compensated for by collections in museums... more...

INTRODUCTION It is not without diffidence that the editor offers The True Story Book to children. We have now given them three fairy books, and their very kind and flattering letters to the editor prove, not only that they like the three fairy books, but that they clamour for more. What disappointment, then, to receive a volume full of adventures which actually happened to real people! There is not a dragon in the collection, nor even a giant;... more...

THE OAHU COLLEGE. In the year 1841, a school was commenced, for the children of missionaries, at Punahou, near Honolulu, Sandwich Islands. Five year ago, it was opened to others besides the children of missionaries. The number of pupils has varied from thirty to sixty, and the whole number of pupils, up to September, 1854, was one hundred and twenty-two. In May, 1853, the Hawaiian Government incorporated twelve persons, all of them except... more...

THE SCIENCE OF HISTORY: A LECTURE DELIVERED AT THE ROYAL INSTITUTION February 5, 1864. Ladies and Gentlemen,—I have undertaken to speak to you this evening on what is called the Science of History. I fear it is a dry subject; and there seems, indeed, something incongruous in the very connection of such words as Science and History. It is as if we were to talk of the colour of sound, or the longitude of the rule-of-three. Where it is so... more...

THE INN-YARDS BEFORE the building of regular playhouses the itinerant troupes of actors were accustomed, except when received into private homes, to give their performances in any place that chance provided, such as open street-squares, barns, town-halls, moot-courts, schoolhouses, churches, and—most frequently of all, perhaps—the yards of inns. These yards, especially those of carriers' inns, were admirably suited to dramatic... more...

I SHAKESPEARE AND THE MODERN STAGE I Without "the living comment and interpretation of the theatre," Shakespeare's work is, for the rank and file of mankind, "a deep well without a wheel or a windlass." It is true that the whole of the spiritual treasures which Shakespeare's dramas hoard will never be disclosed to the mere playgoer, but "a large, a very large, proportion of that indefinite all" may be revealed to him on the stage, and, if he... more...