General Books

INAUGURAL LECTURE ON THE STUDY OF HISTORY Delivered at Cambridge, June 1895 FELLOW STUDENTS—I look back today to a time before the middle of the century, when I was reading at Edinburgh and fervently wishing to come to this University. At three colleges I applied for admission, and, as things then were, I was refused by all. Here, from the first, I vainly fixed my hopes, and here, in a happier hour,... more...

PREFACE In approaching "The Historical Nights' Entertainment" I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events. I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events... more...

EMILY BRONTË. There are, perhaps, few tests of excellence so sure as the popular verdict on a work of art a hundred years after its accomplishment. So much time must be allowed for the swing and rebound of taste, for the despoiling of tawdry splendours and to permit the work of art itself to form a public capable of appreciating it. Such marvellous fragments reach us of Elizabethan praises; and we... more...

THE INN-YARDS BEFORE the building of regular playhouses the itinerant troupes of actors were accustomed, except when received into private homes, to give their performances in any place that chance provided, such as open street-squares, barns, town-halls, moot-courts, schoolhouses, churches, and—most frequently of all, perhaps—the yards of inns. These yards, especially those of carriers' inns,... more...

THE WAR THAT NEVER ENDS If, at last the sword is sheathed,And men, exhausted, call it peace,Old Nature wears no olive wreath,The weapons change—war does not cease. The little struggling blades of grassThat lift their heads and will not die,The vines that climb where sunbeams pass,And fight their way toward the sky! And every soul that God has made,Who from despair their lives defendAnd struggling... more...

VOLUME I [p 2 is blank] p 3 TRANSLATOR'S PREFACE. ———————————- I CAN not more appropriately introduce the Cosmos than by presenting a brief sketch of the life of its illustrious author.* While the name of Alexander von Humboldt is familiar to every one, few, perhaps, are aware of the peculiar circumstances of his scientific career and of the extent of his labors in almost... more...

Contrary to the advice of my friends, who caution me to avoid all appearance of singularity, I venture upon introducing a practice, the expediency of which I will submit to the judgment of the reader. It is one which has been adopted by musicians for more than a century—to the great convenience of all who are fond of music—and I observe that within the last few years two such distinguished painters... more...

PREFACE. There were no prefatory remarks to the first and second editions of the following work. It was thought, when the printer made his final call for copy, that a preface might be written with more propriety if the public should indicate sufficient interest in the book to make its improvement and enlargement necessary. That interest, owing to the theme rather than the treatment, has not been... more...

CHAPTER I. THE BIRTH OF THE TELEPHONE In that somewhat distant year 1875, when the telegraph and the Atlantic cable were the most wonderful things in the world, a tall young professor of elocution was desperately busy in a noisy machine-shop that stood in one of the narrow streets of Boston, not far from Scollay Square. It was a very hot afternoon in June, but the young professor had forgotten the heat... more...

INTRODUCTION. The Editor of this little volume does not deem it incumbent upon him to explain in what way the author’s manuscript came into his possession. He hopes it may be enough for him to say, that the writer believed himself to be the only person whose memory retained most of the incidents and anecdotes herein recorded; and a long and familiar acquaintance with his character enables the Editor... more...