CHAPTER I At nine o'clock in the evening the body of the house at the Theatres des Varietes was still all but empty. A few individuals, it is true, were sitting quietly waiting in the balcony and stalls, but these were lost, as it were, among the ranges of seats whose coverings of cardinal velvet loomed in the subdued light of the dimly burning luster. A shadow enveloped the great red splash of the curtain, and not a sound came from the stage,... more...

The first one took place in the country, at a little tea-party, one snowy night. It must have been some seventeen years ago. My friend Latouche, going to spend Christmas with his mother, had persuaded me to go with him, and the good lady had given in our honor the entertainment of which I speak. To me it was really entertaining; I had never been in the depths of New England at that season. It had been snowing all day, and the drifts were... more...

With so much at stake, Charles Dennison should not have been careless. An inventor cannot afford carelessness, particularly when his invention is extremely valuable and obviously patentable. There are too many grasping hands ready to seize what belongs to someone else, too many men who feast upon the creativity of the innocent. A touch of paranoia would have served Dennison well; but he was lacking in that vital characteristic of inventors. And... more...

The Offshore Pirate I This unlikely story begins on a sea that was a blue dream, as colorful as blue-silk stockings, and beneath a sky as blue as the irises of children's eyes. From the western half of the sky the sun was shying little golden disks at the sea—if you gazed intently enough you could see them skip from wave tip to wave tip until they joined a broad collar of golden coin that was collecting half a mile out and would eventually be... more...

FISHERMAN'S LUCK Has it ever fallen in your way to notice the quality of the greetings that belong to certain occupations? There is something about these salutations in kind which is singularly taking and grateful to the ear. They are as much better than an ordinary "good day" or a flat "how are you?" as a folk-song of Scotland or the Tyrol is better than the futile love-ditty of the drawing-room. They have a spicy and rememberable flavour.... more...

FIRST LOVE Emilia Pardo-Bazan How old was I then? Eleven or twelve years? More probably thirteen, for before then is too early to be seriously in love; but I won't venture to be certain, considering that in Southern countries the heart matures early, if that organ is to blame for such perturbations. If I do not remember well when, I can at least say exactly how my first love revealed itself. I was very fond—as soon as my aunt had gone to... more...

It is a great revolution in social and domestic life, and no less so in the life of a secluded student, this almost universal exchange of the open fireplace for the cheerless and ungenial stove. On such a morning as now lowers around our old gray parsonage, I miss the bright face of my ancient friend, who was wont to dance upon the hearth and play the part of more familiar sunshine. It is sad to turn from the cloudy sky and sombre landscape; from... more...

This is Marny's story, not mine. He had a hammer in his hand at the time and a tack between his teeth. "Going to hang Fiddles right under the old fellow's head," he burst out. "That's where he belongs. I'd have given a ten-acre if he could have drawn a bead on that elk himself. Fiddles behind a .44 Winchester and that old buck browsing to windward"—and he nodded at the elk's head—"would have made the village Mayor sit up and think.... more...

The Moral Principle and the Material Interest . . . A Moral Principle met a Material Interest on a bridge wide enough for but one. “Down, you base thing!” thundered the Moral Principle, “and let me pass over you!” The Material Interest merely looked in the other’s eyes without saying anything. “Ah,” said the Moral Principle, hesitatingly, “let us draw lots to see which shall retire till the... more...

BROADWAY TO BUENOS AIRES The door marked "MRS. MCCHESNEY" was closed. T. A. Buck, president of the Buck Featherloom Petticoat Company, coming gaily down the hall, stopped before it, dismayed, as one who, with a spicy bit of news at his tongue's end, is met with rebuff before the first syllable is voiced. That closed door meant: "Busy. Keep out." "She'll be reading a letter," T. A. Buck told himself grimly. Then he turned the knob and entered... more...