General Books

PREFACE. It is singular that the first great age of English lyric poetry should have been also the one great age of English dramatic poetry: but it is hardly less singular that the lyric school should have advanced as steadily as the dramatic school declined from the promise of its dawn. Born with Marlowe, it rose at once with Shakespeare to heights inaccessible before and since and for ever, to sink... more...

The ordered intermingling of the real and the dream,— The mill above the river, and the mist above the stream; The life of ceaseless labor, brave with song and cheery call— The radiant skies of evening, with its rainbow o'er us all. An Old Sweetheart of Mine!—Is thisher presence here with me,Or but a vain creation ofa lover's memory?A fair, illusive visionthat would vanish into airDared... more...

Author's Introduction   To you who have lifted the veil of mists o'er-blown  And gazed in the eyes of dawn when night had flown—  Have felt in your hearts a thrill of sheer delight  As you scanned the scene below from some alpine height—  I extend this fleeting glimpse across a world  Of forest and meadow land—at last unfurled—  Through vistas of soaring peaks with... more...

OILING. (A Song In and Out of Season.) Excuse me, Sweetheart, if I smear,With wisdom learnt from ancient teachers,Now winter time once more is here,This grease upon your lengthy features!Behaving thus, your loyal friendNo whit encourages deception:Believe me, Fairest, in the endThis oil will better your complexion.Fairest, believe! Did you imagine in the bagTo sleep the sleep of Rip Van Winkle,Removed... more...

ON LOVE What is love? Ask him who lives, what is life? ask him who adores, what is God? I know not the internal constitution of other men, nor even thine, whom I now address. I see that in some external attributes they resemble me, but when, misled by that appearance, I have thought to appeal to something in common, and unburthen my inmost soul to them, I have found my language misunderstood, like one... more...

BOOK FIRST. I.h! who can tell how hard it is to climbThe steep, where Fame’s proud temple shines afar!Ah! who can tell how many a soul sublimeHas felt the influence of malignant star,And waged with Fortune an eternal war!Checked by the scoff of Pride, by Envy’s frown,And Poverty’s unconquerable bar,In life’s low vale remote has pined alone,Then dropt into the grave, unpitied and unknown! II.And... more...

INTRODUCTION Sassoon the Man In appearance he is tall, big-boned, loosely built. He is clean-shaven, pale or with a flush; has a heavy jaw, wide mouth with the upper lip slightly protruding and the curve of it very pronounced like that of a shrivelled leaf (as I have noticed is common in many poets). His nose is aquiline, the nostrils being wide and heavily arched. This characteristic and the fullness,... more...

I—THE VAGABOND(To an air of Schubert) Give to me the life I love,   Let the lave go by me,Give the jolly heaven above   And the byway nigh me.Bed in the bush with stars to see,   Bread I dip in the river—There’s the life for a man like me,   There’s the life for ever. Let the blow fall soon or late,   Let what will be o’er me;Give the face of earth around   And the road before... more...

No description available

MY DOG TRAY.Twice every week a poor, thin man,Holding his little daughter’s hand,Walked feebly to a hospital,Close by the busy London Strand.He hoped the clever doctors thereIn time would make him strong and well,That he might go to work again,And live to care for little Nell.Beside wee Nell, her faithful friend,Good old dog Tray was always seen,Never a day apart the pairSince Nelly’s babyhood had... more...