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PREFACE Utterances of poets regarding their character and mission have perhaps received less attention than they deserve. The tacit assumption of the majority of critics seems to be that the poet, like the criminal, is the last man who should pass judgment upon his own case. Yet it is by no means certain that this view is correct. Introspective analysis on the part of the poet might reasonably be... more...

THE RUINES OF TIME. DEDICATED TO THE RIGHT NOBLE AND BEAUTIFULL LADIE, THE LA: MARIE, COUNTESSE OF PEMEBROOKE. Most honourable and bountifull Ladie, there bee long sithens deepe sowed in my brest the seede of most entire love and humble affection unto that most brave knight, your noble brother deceased; which, taking roote, began in his life time somewhat to bud forth, and to shew themselves to him, as... more...

MISCELLANEOUS POEMS. ON THE MORNING OF CHRISTS NATIVITY.Compos'd 1629. I This is the Month, and this the happy mornWherin the Son of Heav'ns eternal King,Of wedded Maid, and Virgin Mother born,Our great redemption from above did bring;For so the holy sages once did sing,That he our deadly forfeit should release,And with his Father work us a perpetual peace. II That glorious Form, that Light... more...

THE piping of our slender, peaceful reedsWhispers uncared for while the trumpets bray;Song is thin air; our hearts' exulting playBeats time but to the tread of marching deeds,Following the mighty van that Freedom leads,Her glorious standard flaming to the day!The crimsoned pavement where a hero bleedsBreathes nobler lessons than the poet's lay.Strong arms, broad breasts, brave hearts, are... more...

OPENING THE WINDOW THUS I lift the sash, so longShut against the flight of song;All too late for vain excuse,—Lo, my captive rhymes are loose. Rhymes that, flitting through my brain,Beat against my window-pane,Some with gayly colored wings,Some, alas! with venomed stings. Shall they bask in sunny rays?Shall they feed on sugared praise?Shall they stick with tangled feetOn the critic's poisoned... more...

No one can have reflected on the history of genius without being impressed with a melancholy feeling at the obscurity in which the lives of the poets of our country are, with few exceptions, involved. That they lived, and wrote, and died, comprises nearly all that is known of many, and, of others, the few facts which are preserved are often records of privations, or sufferings, or errors. The cause of... more...

by: Aristotle
I propose to treat of Poetry in itself and of its various kinds, noting the essential quality of each; to inquire into the structure of the plot as requisite to a good poem; into the number and nature of the parts of which a poem is composed; and similarly into whatever else falls within the same inquiry. Following, then, the order of nature, let us begin with the principles which come first. Epic... more...

Some years ago, while editing Henry C. Whitney's "Life of Lincoln" I showed a photograph of the bust of Lincoln by Johannes Gelert, the most intellectual to my mind of all the studies of his face, to a little Italian shoeblack, and asked him if he knew who it was. The boy, evidently prompted by a recent lesson at school, said questioningly, "Whittier?—Longfellow?" I replied,... more...

I A prince I was, blue-eyed, and fair in face,Of temper amorous, as the first of May,With lengths of yellow ringlet, like a girl,For on my cradle shone the Northern star. There lived an ancient legend in our house.Some sorcerer, whom a far-off grandsire burntBecause he cast no shadow, had foretold,Dying, that none of all our blood should knowThe shadow from the substance, and that oneShould come to... more...

The reader of to-day will not forget, I trust, that it is nearly a quarter of a century since these papers were written. Statements which were true then are not necessarily true now. Thus, the speed of the trotting horse has been so much developed that the record of the year when the fastest time to that date was given must be very considerably altered, as may be seen by referring to a note on page 49... more...