Literary Criticism Books

Scattered over the surface of every country in Europe may be found sepulchral monuments, the remains of pre-historic times and nations, and of a phase of life will civilisation which has long since passed away. No country in Europe is without its cromlechs and dolmens, huge earthen tumuli, great flagged sepulchres, and enclosures of tall pillar-stones. The men by whom these works were made, so... more...

DICKENS A ‘Frightful Minus’ Mr. Andrew Lang is delightfully severe on those who ‘cannot read Dickens,’ but in truth it is only by accident that he is not himself of that unhappy persuasion.  For Dickens the humourist he has a most uncompromising enthusiasm; for Dickens the artist in drama and romance he has as little sympathy as the most practical.  Of the prose of David Copperfield and Our... more...

It was in the little office of James T. Fields, over the bookstore of Ticknor & Fields, at 124 Tremont Street, Boston, that I first met my friend of now forty-four years, Samuel L. Clemens. Mr. Fields was then the editor of The Atlantic Monthly, and I was his proud and glad assistant, with a pretty free hand as to manuscripts, and an unmanacled command of the book-notices at the end of the... more...

INTRODUCTION It was long believed that Hebrew had no place among the modern languages as a literary vehicle. The circumstance that the Jews of Western countries had given up the use of their national language outside of the synagogue was not calculated to discredit the belief. The Hebrew, it was generally held, had once been alive, but now it belonged among the dead languages, in the same sense as the... more...

Introduction   These chapters, for the most part, are reprinted from Lafcadio Hearn’s “Interpretations of Literature,” 1915, from his “Life and Literature,” 1916, and from his “Appreciations of Poetry,” 1917. Three chapters appear here for the first time. They are all taken from the student notes of Hearn’s lectures at the University of Tokyo, 1896-1902, sufficiently described in the... more...

PRELIMINARY I The writing of this preliminary chapter, and the final survey and revision of my Whitman essay, I am making at a rustic house I have built at a wild place a mile or more from my home upon the river. I call this place Whitman Land, because in many ways it is typical of my poet,—an amphitheatre of precipitous rock, slightly veiled with a delicate growth of verdure, enclosing a few acres... more...

My recollections of Bret Harte begin with the arrest, on the Atlantic shore, of that progress of his from the Pacific Slope, which, in the simple days of 1871, was like the progress of a prince, in the universal attention and interest which met and followed it. He was indeed a prince, a fairy prince in whom every lover of his novel and enchanting art felt a patriotic property, for his promise and... more...

CHARACTERISTICS OF VICTORIAN LITERATURE That which in England is conveniently described as the Victorian Age of literature has a character of its own, at once brilliant, diverse, and complex. It is an age peculiarly difficult to label in a phrase; but its copious and versatile gifts will make it memorable in the history of modern civilisation. The Victorian Age, it is true, has no Shakespeare or... more...

THE DEGRADATION OF BEAUTY Some time ago I found myself at an exhibition of Post-Impressionist pictures, under the ægis of an artist who was himself of that persuasion. Indeed, he was one of the exhibitors, and I was constrained to express my opinions in the form of questions. We passed before a picture which to my untutored eyes was formless, meaningless and ugly. It was by a well-known artist, and my... more...

INTRODUCTION. PART I. ORIGIN OF HUMOUR. Pleasure in Humour—What is Laughter?—Sympathy—First Phases—Gradual Development—Emotional Phase—Laughter of Pleasure—Hostile Laughter—Is there any sense of the Ludicrous in the Lower Animals?—Samson—David—Solomon—Proverbs—Fables. Few of the blessings we enjoy are of greater value than the gift of humour. The pleasure attendant upon it... more...