Literary Criticism Books

ALMAYER'S FOLLY I am informed that in criticizing that literature which preys on strange people and prowls in far-off countries, under the shade of palms, in the unsheltered glare of sunbeaten beaches, amongst honest cannibals and the more sophisticated pioneers of our glorious virtues, a lady—distinguished in the world of letters—summed up her disapproval of it by saying that the tales it... more...

There was a certain island in the sea, the only inhabitants of which were an old man, whose name was Prospero, and his daughter Miranda, a very beautiful young lady. She came to this island so young, that she had no memory of having seen any other human face than her father's. They lived in a cave or cell, made out of a rock; it was divided into several apartments, one of which Prospero called his... more...

INTRODUCTION The following essay forms the introduction to a famous anthology of the seventeenth century, the Epigrammatum delectus, a Port-Royal textbook published at Paris in 1659. The essay was twice translated into French in the same century, but the use of the text in France did not survive, apparently, the downfall of the Port-Royal movement. It was, however, later adopted by Eton College, where... more...

CHAPTER I THE LIFE OF SHAKESPEARE Stratford-on-Avon is cleaner, better paved, and perhaps more populous than it was in Shakespeare's time. Several streets of mean red-brick houses have been built during the last half century. Hotels, tea rooms, refreshment rooms, and the shops where the tripper may buy things to remind him that he has been where greatness lived, give the place an air at once... more...

I am sorry not to have been able to persuade my old friend, George Radford, who wrote the paper on ‘Falstaff’ in the former volume, to contribute anything to the second series of Obiter Dicta.  In order to enjoy the pleasure of reading your own books over and over again, it is essential that they should be written either wholly or in part by somebody else. Critics will probably be found ready to... more...

As was explained in the Note to the Preface of the previous editions and impressions of this book, after the first, hardly one of them appeared without careful revision, and the insertion of a more or less considerable number of additions and corrections. I found, indeed, few errors of a kind that need have seemed serious except to Momus or Zoilus. But in the enormous number of statements of fact which... more...

I have already spoken of my earliest meetings with Lowell at Cambridge when I came to New England on a literary pilgrimage from the West in 1860. I saw him more and more after I went to live in Cambridge in 1866; and I now wish to record what I knew of him during the years that passed between this date and that of his death. If the portrait I shall try to paint does not seem a faithful likeness to... more...

SOME THOUGHTS OF A READER OF TENNYSON Fifty years after Tennyson’s birth he was saluted a great poet by that unanimous acclamation which includes mere clamour.  Fifty further years, and his centenary was marked by a new detraction.  It is sometimes difficult to distinguish the obscure but not unmajestic law of change from the sorry custom of reaction.  Change hastes not and rests not, reaction... more...

OPINIONS OF AUTHORS Libraries are as the shrines where all the relics of the ancient saints, full of true virtue, and that without delusion or imposture, are preserved and reposed.—Bacon, Advancement of Learning. We visit at the shrine, drink in some measure of the inspiration, and cannot easily breathe in other air less pure, accustomed to immortal fruits.—Hazlitt's Plain Speaker. What a... more...

CHAPTER I. Burlesque—Parody—The "Splendid Shilling"—Prior—Pope—Ambrose Philips—Parodies of Gray's Elegy—Gay. Burlesque, that is comic imitation, comprises parody and caricature. The latter is a valuable addition to humorous narrative, as we see in the sketches of Gillray, Cruikshank and others. By itself it is not sufficiently suggestive and affords no story or conversation.... more...