Literary Criticism
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Literary Criticism Books
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Bernard Shaw
How the Play came to be Written I had better explain why, in this little piece d'occasion, written for a performance in aid of the funds of the project for establishing a National Theatre as a memorial to Shakespear, I have identified the Dark Lady with Mistress Mary Fitton. First, let me say that I do not contend that the Dark Lady was Mary Fitton, because when the case in Mary's favor (or...
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John Geddie
CHAPTER I BALLAD CHARACTERISTICS'Layés that in harpingBen y-found of ferli thing;Sum beth of wer, and sum of wo,Sum of joye and mirthe also;And sum of treacherie and gile;Of old aventours that fell while;And sum of bourdes and ribaudy;And many ther beth of faëry,—Of all things that men seth;Maist o' love forsoth they beth.'The Lay of the Ash. Who would set forth to explore the realm...
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Chapter I THE COURAGE OF HUGH WALPOLE i Says his American contemporary, Joseph Hergesheimer, in an appreciation of Hugh Walpole: “Mr. Walpole’s courage in the face of the widest scepticism is nowhere more daring than in The Golden Scarecrow.” Mr. Walpole’s courage, I shall always hold, is nowhere more apparent than in the choice of his birthplace. He was born in the Antipodes. Yes! In that...
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Robert Lynd
I.—Mr. Pepys Mr. Pepys was a Puritan. Froude once painted a portrait of Bunyan as an old Cavalier. He almost persuaded one that it was true till the later discovery of Bunyan’s name on the muster-roll of one of Cromwell’s regiments showed that he had been a Puritan from the beginning. If one calls Mr. Pepys a Puritan, however, one does not do so for the love of paradox or at a guess. He tells...
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CHAPTER I THE HISTORICAL ELEMENTS Section I. The Problem. The unique MS of Beowulf may be, and if possible should be, seen by the student in the British Museum. It is a good specimen of the elegant script of Anglo-Saxon times: "a book got up with some care," as if intended for the library of a nobleman or of a monastery. Yet this MS is removed from the date when the poem was composed and from...
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P. L. Jacob
Preface. he several successive editions of "The Arts of the Middle Ages and Period of the Renaissance" sufficiently testify to its appreciation by the public. The object of that work was to introduce the reader to a branch of learning to which access had hitherto appeared only permitted to the scientific. That attempt, which was a bold one, succeeded too well not to induce us to push our...
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Samuel Johnson
INTRODUCTION. Johnson's "Lives of the Poets" were written to serve as Introductions to a trade edition of the works of poets whom the booksellers selected for republication. Sometimes, therefore, they dealt briefly with men in whom the public at large has long ceased to be interested. Richard Savage would be of this number if Johnson's account of his life had not secured for him...
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Samuel Johnson
Dr. Johnson's Preface to Shakespeare is one of the most famous critical essays of the eighteenth century, and yet too many students have forgotten that it is, precisely, a preface to the plays of Shakespeare, edited by Dr. Johnson himself. That is to say, the edition itself has been obscured or overshadowed by its preface, and the sustained effort of that essay has virtually monopolized scholarly...
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I think that every man ought to work for his living, without exception, and that when he has once avouched his willingness to work, society should provide him with work and warrant him a living. I do not think any man ought to live by an art. A man's art should be his privilege, when he has proven his fitness to exercise it, and has otherwise earned his daily bread; and its results should be free...
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Early Danish Hymnody Danish hymnody, like that of other Protestant countries, is largely a child of the Reformation. The Northern peoples were from ancient times lovers of song. Much of their early history is preserved in poetry, and no one was more honored among them than the skjald who most skillfully presented their thoughts and deeds in song. Nor was this love of poetry lost with the transition...
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