Literary Criticism
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Literary Criticism Books
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John Burroughs
PRELIMINARY I The writing of this preliminary chapter, and the final survey and revision of my Whitman essay, I am making at a rustic house I have built at a wild place a mile or more from my home upon the river. I call this place Whitman Land, because in many ways it is typical of my poet,—an amphitheatre of precipitous rock, slightly veiled with a delicate growth of verdure, enclosing a few acres...
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My recollections of Bret Harte begin with the arrest, on the Atlantic shore, of that progress of his from the Pacific Slope, which, in the simple days of 1871, was like the progress of a prince, in the universal attention and interest which met and followed it. He was indeed a prince, a fairy prince in whom every lover of his novel and enchanting art felt a patriotic property, for his promise and...
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THE DEGRADATION OF BEAUTY Some time ago I found myself at an exhibition of Post-Impressionist pictures, under the ægis of an artist who was himself of that persuasion. Indeed, he was one of the exhibitors, and I was constrained to express my opinions in the form of questions. We passed before a picture which to my untutored eyes was formless, meaningless and ugly. It was by a well-known artist, and my...
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Anonymous
INTRODUCTION We have a Book lately publish'd here which hath of late taken up the whole conversation of the town. Tis said to be writ by Swift. It is called, The travells of Lemuell Gulliver in two Volumes. It hath had a very great sale. People differ vastly in their opinions of it, for some think it hath a great deal of wit, but others say, it hath none at all. John Gay to James Dormer (22...
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I SKETCH OF THE LIFE OF THE PERSIAN POET SAADI—CHARACTER OF HIS WRITINGS—THE “GULISTÁN”—PREFACES TO BOOKS—PREFACE TO THE “GULISTÁN”—EASTERN POETS IN PRAISE OF SPRINGTIDE. It is remarkable how very little the average general reader knows regarding the great Persian poet SaádÐÑ and his writings. His name is perhaps more or less familiar to casual readers from its being...
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INTRODUCTION Gay's concern in his survey of The Present State of Wit is with the productions of wit which were circulating among the coffee-houses of 1711, specifically the large numbers of periodical essays which were perhaps the most distinctive kind of "wit" produced in the "four last years" of Queen Anne's reign. His little pamphlet makes no pretence at an analysis of true...
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Rafael Sabatini
PREFACE This is no Chronicle of Saints. Nor yet is it a History of Devils. It is a record of certain very human, strenuous men in a very human, strenuous age; a lustful, flamboyant age; an age red with blood and pale with passion at white-heat; an age of steel and velvet, of vivid colour, dazzling light and impenetrable shadow; an age of swift movement, pitiless violence and high endeavour, of sharp...
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CHAPTER I INTRODUCTORY In history we find certain names associated with great movements: Luther with the Reformation, or Garibaldi with the liberation of Italy. Luther certainly posted on the door of the church at Wittenberg his famous Theses, and burnt the Papal Bull at the gates of that city; yet before Luther there lived men, such as the scholar Erasmus, who have been appropriately named Reformers...
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CHARLOTTE BRONTË Objection is often raised against realistic biography because it reveals so much that is important and even sacred about a man's life. The real objection to it will rather be found in the fact that it reveals about a man the precise points which are unimportant. It reveals and asserts and insists on exactly those things in a man's life of which the man himself is wholly...
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PREFACE In telling the story of Shakespeare's life and work within strict limits of space, an attempt has been made to keep closely to essential matters. There is no period of the poet's life, there is no branch of his marvellous work, that has not been the subject of long and learned volumes, no single play that has not been discussed at greater length than serves here to cover the chief...
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