Drama Books

This play seems to have induced several English playwrights to imitate it. First, we have Sir William D'Avenant's The Playhouse to be Let, of which the date of the first performance is uncertain. According to the Biographia Britannica, it was "a very singular entertainment, composed of five acts, each being a distinct performance. The first act is introductory, shows the distress of the... more...

INTRODUCTION The greatest of English dramatists except Shakespeare, the first literary dictator and poet-laureate, a writer of verse, prose, satire, and criticism who most potently of all the men of his time affected the subsequent course of English letters: such was Ben Jonson, and as such his strong personality assumes an interest to us almost unparalleled, at least in his age. Ben Jonson came of the... more...

ACT I. [A tropical garden in Kapilavatthu, in the background mountains, at a distance the snow-capped peaks of the Himalayas. On the right near the front a marble bench surrounded with bushes. Further back the palace entrance of the Raja's residence. Above the entrance a balcony. On the left a fortified gate with a guard house; all built luxuriously in antique Indian style.] Present: Suddhodana,... more...

ACT THE FIRST. BALDER and THOR are seated upon stones at some distance from each other.  Both are armed—THOR with his hammer, and BALDER with spear and sword. BALDER.  Land whose proud and rocky bosomBraves the sky continually! THOR.  Where should strength and valour blossom,Land of rocks, if not in thee? BALDER.  Odin’s shafts of ruddy levinBack from thy hard sides are driven;Never sun thy... more...

INTRODUCTION. Two of the dramas contained in this volume are the most celebrated of all Calderon's writings. The first, "La Vida es Sueno", has been translated into many languages and performed with success on almost every stage in Europe but that of England. So late as the winter of 1866-7, in a Russian version, it drew crowded houses to the great theatre of Moscow; while a few years... more...

PREFACE A preface to a play seems generally to be considered as a kind of closet-prologue, in which—if his piece has been successful—the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in representation (whose judgment in the theatre at least is decisive,) its degree of... more...

INTRODUCTORY NOTE ROBERT BROWNING stands, in respect to his origin and his career, in marked contrast to the two aristocratic poets beside whose dramas his "Blot in the 'Scutcheon" is here printed. His father was a bank clerk and a dissenter at a time when dissent meant exclusion from Society; the poet went neither to one of the great public schools nor to Oxford or Cambridge; and no... more...

THE RECKONING The scene is a barber shop. At the center is the chair, facing a mirror and washstand at the right. The tiled walls are sprinkled with the usual advertisements. At the rear, a door leads up to the street by a flight of two or three steps. A dock on the left wall indicates three. At the rise of curtain, THE BARBER, a man of fifty, is discovered sharpening a razor, and whistling softly to... more...

ACT I. Scene 1—Drawing room in 3. Trenchard Manor, C. D., backed by interior, discovering table with luncheon spread. Large French window, R. 3 E., through which a fine English park is seen. Open archway, L. 3 E. Set balcony behind. Table, R., books and papers on it. Work basket containing wools and embroidery frame. A fashionable arm chair and sofa, L. 2 E., small table near C. D. Stage handsomely... more...

THE CAST Princess Maria Theresa of Aragon. Warren Jarvis, of Kentucky. Nita, the Princess' Maid. House Detective, Manhattan Hotel. Rusty Snow, Warren Jarvis' Colored Servant. Detectives, from Police Headquarters. Hotel Porter. Steward, on S.S. Aquitania. Carlos, Duke d'Alva. Dolores, the Innkeeper's Daughter. Vardos, Messenger to the Missing Prince. Don Robledo, a Soldier of... more...