Drama Books
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THE ARGUMENT. Althaea, daughter of Thestius and Eurythemis, queen of Calydon, being with child of Meleager her first-born son, dreamed that she brought forth a brand burning; and upon his birth came the three Fates and prophesied of him three things, namely these; that he should have great strength of his hands, and good fortune in this life, and that he should live no longer when the brand then in the...
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John Galsworthy
ACT I LORD WILLIAM DROMONDY'S mansion in Park Lane. Eight o'clock of the evening. LITTLE ANNE DROMONDY and the large footman, JAMES, gaunt and grin, discovered in the wine cellar, by light of gas. JAMES, in plush breeches, is selecting wine. L. ANNE: James, are you really James? JAMES. No, my proper name's John. L. ANNE. Oh! [A pause] And is Charles's an improper name too? JAMES....
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John Galsworthy
ACT I It is half-past nine of a July evening. In a dining-roomlighted by sconces, and apparelled in wall-paper, carpet, andcurtains of deep vivid blue, the large French windows betweentwo columns are open on to a wide terrace, beyond which are seentrees in darkness, and distant shapes of lighted houses. On oneside is a bay window, over which curtains are partly drawn.Opposite to this window is a door...
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Clyde Fitch
CLYDE FITCH (1865-1909) Clyde Fitch brought a vivacity to the American stage that no other American playwright has thus far succeeded in emulating. The total impression of his work leads one to believe that he also brought to the American stage a style which was at the same time literary and distinctly his own. His personality was interesting and lovable, quickly responsive to a variety of human...
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Moliere
ACT I. SCENE I.——ARGAN (sitting at a table, adding up his apothecary's bill with counters). Arg. Three and two make five, and five make ten, and ten make twenty. "Item, on the 24th, a small, insinuative clyster, preparative and gentle, to soften, moisten, and refresh the bowels of Mr. Argan." What I like about Mr. Fleurant, my apothecary, is that his bills are always civil. "The...
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R. N. Dutta
SAKUNTALA or THE LOST RING. In ancient days, there was a mighty king of the Lunar dynasty by name Dushyanta. He was the king of Hastinapur. He once goes out a-hunting and in the pursuit of a deer comes near the hermitage of the sage Kanwa, the chief of the hermits, where some anchorites request him not to kill the deer. The king feels thirsty and was seeking water when he saw certain maidens of the...
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William Morris
PART I. SCENE.—A Court of Justice. Usher, Clerk of the Court, Mr. Hungary, Q.C., and others. Mr. La-di-da, the prisoner, not in the dock, but seated in a chair before it. [Enter Mr. Justice Nupkins. Usher. Silence!—silence! Mr. Justice Nupkins. Prisoner at the bar, you have been found guilty by a jury, after a very long and careful consideration of your remarkable and strange case, of a...
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John Galsworthy
ACT I The SCENE is the pretty drawing-room of a flat. There are twodoors, one open into the hall, the other shut and curtained.Through a large bay window, the curtains of which are not yetdrawn, the towers of Westminster can be seen darkening in asummer sunset; a grand piano stands across one corner. Theman-servant PAYNTER, clean-shaven and discreet, is arranging twotables for Bridge. BURNEY, the maid,...
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WAR BRIDES The war brides were cheered with enthusiasm and the churches were crowded when the wedding parties spoke the ceremony in concert.—PRESS CLIPPING. SCENE: A room in a peasant's cottage in a war-ridden country. A large fireplace at the right. Near it a high-backed settle. On the left a heavy oak table and benches. Woven mats on the floor. A door at left leads into a bedroom. In the...
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Henrik Ibsen
ACT I [SCENE.--A room furnished comfortably and tastefully, but not extravagantly. At the back, a door to the right leads to the entrance-hall, another to the left leads to Helmer's study. Between the doors stands a piano. In the middle of the left-hand wall is a door, and beyond it a window. Near the window are a round table, arm-chairs and a small sofa. In the right-hand wall, at the farther...
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