Drama Books

INTRODUCTION THE greatest of English dramatists except Shakespeare, the first literary dictator and poet-laureate, a writer of verse, prose, satire, and criticism who most potently of all the men of his time affected the subsequent course of English letters: such was Ben Jonson, and as such his strong personality assumes an interest to us almost unparalleled, at least in his age. Ben Jonson came of the... more...

PROLOGUE MERCURY, on a cloud; NIGHT, in a chariot drawn by two horses MERC. Wait! Gentle Night; deign to stay awhile: Some help is needed from you. I have two words to say to you from Jupiter. NIGHT. Ah! Ah! It is you, Seigneur Mercury! Who would have thought of you here, in that position? MERC. Well, feeling tired, and not being able to fulfil the different duties Jupiter ordered me, I quietly sat... more...

SCENE I.——LE BARBOUILLÉ. Bar. Everybody must acknowledge that I am the most unfortunate of men! I have a wife who plagues me to death; and who, instead of bringing me comfort and doing things as I like them to be done, makes me swear at her twenty times a day. Instead of keeping at home, she likes gadding about, eating good dinners, and passing her time with people of I don't know what... more...

PREFACE About seven years ago I began to dictate the first of these Plays to Lady Gregory. My eyesight had become so bad that I feared I could henceforth write nothing with my own hands but verses, which, as Theophile Gautier has said, can be written with a burnt match. Our Irish Dramatic movement was just passing out of the hands of English Actors, hired because we knew of no Irish ones, and our... more...

PROLOGUE.   The front of the stage represents a rustic spot, while at the back the sea can be seen in the distance.   SCENE I. Flora. appears in the centre of the stage, attended by Vertumnus, god of trees and fruit, and by Palemon, god of the streams. Each of these gods conducts a troup of divinities; one leads in his train Dryads and Sylvans, and the other River Gods and Naiads. Flora sings the... more...

ACT FIRST. [A spacious garden-room, with one door to the left, and two doors to the right. In the middle of the room a round table, with chairs about it. On the table lie books, periodicals, and newspapers. In the foreground to the left a window, and by it a small sofa, with a worktable in front of it. In the background, the room is continued into a somewhat narrower conservatory, the walls of which... more...

INTRODUCTION For the last twenty years Leonid Andreyev and Maxim Gorky have by turns occupied the centre of the stage of Russian literature. Prophetic vision is no longer required for an estimate of their permanent contribution to the intellectual and literary development of Russia. It represents the highest ideal expression of a period in Russian history that was pregnant with stirring and... more...

ACT I. Scene I. Witch bends over fire in middle of orchard, brewing a charm in her caldron. Ogre stalks in, grinning frightfully, swinging his bludgeon in triumph. Ogre Ha, old witch, it is done at last! I have broken the King's stronghold! I have stolen away his children twain From the clutch of their guardsmen bold. I have dragged them here to my castle tower. Prince Hero is strong and fair. But... more...

ANNAJANSKA is frankly a bravura piece. The modern variety theatre demands for its "turns" little plays called sketches, to last twenty minutes or so, and to enable some favorite performer to make a brief but dazzling appearance on some barely passable dramatic pretext. Miss Lillah McCarthy and I, as author and actress, have helped to make one another famous on many serious occasions, from Man... more...

CHAPTER I EARLY CHURCH DRAMA ON THE CONTINENT The old Classical Drama of Greece and Rome died, surfeited with horror and uncleanness. Centuries rolled by, and then, when the Old Drama was no more remembered save by the scholarly few, there was born into the world the New Drama. By a curious circumstance its nurse was the same Christian Church that had thrust its predecessor into the grave. A man may... more...